The date has come; the boxes are all stacked,
leaving pale squares where once the pictures hung.
The ghosts of photos, souvenirs, are packed,
the clocks are stopped, the pendulums have swung;
familiar noises banished. Here we sit,
nothing to do, for once: suspended time
can hold its breath and let the minutes knit
the final rows, and then cast off. The climb

into the future’s not so very hard
now all the work is done: decisions made,
the papers signed, that border crossed, the yard
cleared of dead plants, and every last bill paid.
The clocks are stopped, the pendulums have swung,
The ghosts of photos, souvenirs, are packed,
leaving pale squares where once the pictures hung.
The date has come. The boxes are all stacked.

*****

D.A. Prince writes: “This is a memory of a house move in 1982 when, somehow, I found time to sit and reflect. Having moved house last month was a rather different experience  –  and not an experience for the faint-hearted –  but I’m hopeful that eventually, there will be time to sit down. If poetry is ‘emotion recollected in tranquility’ I look forward to some restorative peace in the future.”

‘Leaving’ was first published in Snakeskin.

D.A. Prince lives in Leicestershire and London. Her first appearances in print were in the weekly competitions in The Spectator and New Statesman (which ceased its competitions in 2016) along with other outlets that hosted light verse. Something closer to ‘proper’ poetry followed (but running in parallel), with three pamphlets, followed by a full-length collection, Nearly the Happy Hour, from HappenStance Press in 2008. A second collection, Common Ground, (from the same publisher) followed in 2014 and this won the East Midlands Book Award in 2015. HappenStance subsequently published her pamphlet Bookmarks in 2018, with a further full-length collection, The Bigger Picture, published in 2022. New Walk Editions published her latest pamphlet, Continuous Present, in 2025.

Photo: “Moving Day” by jthetzel is licensed under CC BY 2.0.