Monthly Archives: August 2023

George Simmers, ‘Earth’

Old Becky’s in her garden, delving among roots,
Cutting away dead wood, caressing shoots.
All this June morning, she has given her garden love
Tough as the fabric of her gardening glove.
She’s a no-nonsense woman; her words are earthy words.
She calls a spade a spade; she calls turds turds.

How old is she? As well ask how old’s that
Ridiculous and ragged old sun hat.
As well ask why the sun is blazing gold;
As well ask why she loves the limping old
Fat spaniel whose idea of summer fun
Is stretching indolent in the summer sun
And watching as she plods around the plot.

Dogs, children, husbands: these are what
Her life has been. Husbands both buried now.
Children all visit when their lives allow,
And relish her gruff love and plenteous food.
The dog’s grown old with her, and now his mood
Is slow contentment. She was at his birth
And soon she’ll bury him beneath this earth.

For in this garden it is understood
That death is natural, and the earth is good.

*****

George Simmers writes: “This is the first of four character sketches, each based on one of the ancient elements – Earth, Air, Fire and Water. The complete sequence can be found in Snakeskin 309 (August 2023).”

George Simmers used to be a teacher; now he spends much of his time researching literature written during and after the First World War. He has edited Snakeskin since 1995. It is probably the oldest-established poetry zine on the Internet. His work appears in several Potcake Chapbooks, and his recent diverse collection is ‘Old and Bookish’.

Dog moving as the shade goes” by Ed.ward is licensed under CC BY-SA 2.0.

Sonnet: ‘Wanderer, or Odin/Merlin in the 21st Century’

It isn’t money, power, or (really) sex;
it’s wisdom, knowledge, understanding, truth,
the motivation from my earliest youth.
So now I watch as all our dreams turn wrecks,
as statesmen bluster, muscles bulge and flex,
economists forecast but can’t say sooth,
and life extension folks are thought uncouth–
they hoard possessions, but can’t save their necks.
I wandered, ragged, with a missing eye,
patched so none knew my implant’s extra sight,
seeking her who’d save from oblivion
the things I’ve found; for I see I must die,
and I’m now summoning the acolyte
who’ll carry knowledge on. Come, Vivien.

*****

The child wandering, the youth hitchhiking, the middle-aged tramp, the old hobo… in my view, they all have the spirit of Odin, Merlin, Hermes, Papa Legba, searching for knowledge, intermediary between the human and the divine/posthuman.

This sonnet was recently published in The Road Not Taken – a Journal of Formal Poetry. Thanks, Dr. Kathryn Jacobs!

Illustration: DALL-E

Susan McLean, ‘Dead Giveaway’

Who’ll take my dead? I’ve carried them so long
my mind is swaybacked from their aching weight.
I can’t just cast them off. It would be wrong
to leave them in some shed, like unclaimed freight.
How could I walk away as Cathy’s smile
collapsed, as Brian gently said “Take care,”
and Grammy begged “Please take me home now” while
I shut them in the dark and left them there?

I’ve jettisoned so much I took to heart—
the afterlife, belief in justice, prayer.
I’ll have to lay my dead down too, I know.
After a party, when my friends depart,
I wash up, stow away what’s left, yet they’re
still here. The dead are always last to go.

*****

Susan McLean writes: “I love the way a cliché can take on new life if the words are interpreted in a nontraditional way. The title of this poem seemed painfully poignant to me when I imagined it applying to the dead we all carry around with us. It would be nice to be able to walk away from that sadness, but of course who among us could bring ourselves to do it? Though I try to keep the voice of the poem sounding natural, I pay attention to the play of sounds in the words, as in the echoes of consonant and vowel sounds in the first two lines: “take,” “swaybacked,” “aching,” and “weight.” In the sestet of the sonnet, the imagined action of the speaker’s leaving her dead behind in the octave is reversed when she is herself left behind by her departing friends, with only her dead to keep her company.
This poem first appeared in the online journal 14 by 14, and later was published in my
second poetry book, The Whetstone Misses the Knife.”

Susan McLean has two books of poetry, The Best Disguise and The Whetstone Misses the Knife, and one book of translations of Martial, Selected Epigrams. Her poems have appeared in Light, Lighten Up Online, Measure, Able Muse, and elsewhere. She lives in Iowa City, Iowa.
https://www.pw.org/content/susan_mclean

Photo: “Ghosts of the old house” by Tree Leaf Clover is licensed under CC BY 2.0.

Short poem: ‘On a Magazine Editor’

He puts on his apron every day
and dusts, arranges, bests;
but the more finicky his entryway,
the fewer, it seems, the guests.

*****

This little poem was sparked by the difficulties I have in trying to submit to some magazines and in trying to contribute to some discussions. Eventually I give up. And then make snarky comments.

It was recently published in The Asses of Parnassus – thanks, Brooke Clark (who makes the contribution process very simple!)

Illustration: “Man holding an envelope with a feather duster. [front]” by Boston Public Library is licensed under CC BY 2.0.