Bartolomeo Dotti, ‘Abortion in a Flask’, tr. John Gallas

To Giacopo Grandis, doctor and anatomist

Dear Giacopo, this sad, obscene disaster,
forever motherless, and piped of breath,
if ever it was living, died too soon,
and goes untimely to the feast of death.
And are the Humours of its tiny tub
sweet milk, or tears? For sure, its mother’s womb,
its first and living globe, was made of flesh,
and not the glass that rounds it in this tomb.
The embryo is dead: long live the corse.
Its promised Immortality cut short,
it floats in blood, aborted, come to naught.
O Man! O Slab Professors! Learn perforce
that this is Woman’s flesh and blood: more sweet,
more frail than glass; less strong than aquavit.

*****

John Gallas writes: “The ‘Abortion’ poem by Bartolomeo Dotti (1651-1713) is part of a work in progress (a History of Italy in Poems – featuring not the Great Monuments but the lesser poets from the 1st poem in Italian up to a poet b.1935). If you ever want any more, there’s 84. At least 60 rhyme and bounce.”

VII
L’ABORTO NELL’AMPOLLA
A Giacopo Grandis, fisico e anatomico

     Questo, Giacopo mio, sconcio funesto
cui diè morto natale il sen materno,
se maturo nascea, moria ben presto,
e voi d’intempestivo il fèste eterno.
     Non so se dolce latte o pianto mesto
gli sia di quel cristal l’umore interno;
so ben che l’alvo suo fu come questo,
poi ch’utero da vetro io non discerno.
     Vive quasi per voi chi per sé langue;
embrïone morì, scheletro nacque,
fatto parto immortal d’aborto essangue.
     Uomo, impara! Insegnarti al Grandi piacque
che sia ventre di donna e maschio sangue
piú fral del vetro e men vital de l’acque.

There is a brief outline of Dotti’s turbulent life here.

John Gallas, Aotearoa/NZ poet, published mostly by Carcanet. Saxonship Poet (see www.saxonship.org), Fellow of the English Association, St Magnus Festival Orkney Poet, librettist, translator and biker. 2025 Midlands Writing Prize winner. Presently living in Markfield, Leicestershire. Website is www.johngallaspoetry.co.uk which has a featured Poem of the Month, complete book list, links and news.  


Gerard Manley Hopkins, ‘Spring and Fall: To a Young Child’

Márgarét, are you gríeving
Over Goldengrove unleaving?
Leáves, líke the things of man, you
With your fresh thoughts care for, can you?
Ah! ás the heart grows older
It will come to such sights colder
By and by, nor spare a sigh
Though worlds of wanwood leafmeal lie;
And yet you wíll weep and know why.
Now no matter, child, the name:
Sórrow’s spríngs áre the same.
Nor mouth had, no nor mind, expressed
What heart heard of, ghost guessed:
It ís the blight man was born for,
It is Margaret you mourn for.

*****

It’s just that time of year, isn’t it.

“leaving” by john curley is licensed under CC BY-NC-SA 2.0.

Using form: Bill Bowler, ‘Portrait of the Artist as an Old Man’

Most of the time I’m zonked
maybe more often than I might want
here between high and dizzy
tired of looking busy
waiting to see what comes my way
9:11 comes twice a day

Look in the mirror: what do you see
a distinguished gentleman, what’s left of me
a formerly handsome young man,
gray hair, gray beard, wrinkles, laugh lines,
crow’s feet, bags… Why go on?

Grunting, groaning, ache all over,
Moving slowly, bent and stiff
No use trying to ignore
that throbbing, shooting pain
in my elbow, in my wrist,
there it goes again
in my ankle, in my hip

I’m occupying space,
not doing much at a steady pace,
treading water, riding it out
for Now, which is all we’ve got

Most of the time
in bed at nine
reading time
conk out by ten
sleep till eight
lounge in bed
get up late
and start again

No goal, no productivity,
drinking vodka, smoking weed,
writing verses, cooking dinner
anchovies, butter, cheese and cream
garlic, capers, medium heat

I don’t expect you youngsters here
to understand, but if you can,
my bladder’s shot, the plumbing leaks
an endless stream or more a trickle
with brief pauses in between
marking out my territory
or so it seems

It’s not what you expect to hear
but never fear!
Money’s not a problem
we have plenty
our friendly neighborhood ATM provides
an unlimited supply of twenties

*****

Bill Bowler writes: “Portrait of the Artist…” is one of a long series of poems called It Never Gets Old that I’ve been working on for a while. They’re all up on Bewildering Stories. The poems all explore from one angle or another the weird sensation of one’s parts wearing out, and one’s friends and loved ones disappearing one by one. Some of the titles are: “Death can be so inconvenient”, “At day’s end, nearing sunset”, “Circling the Drain”, “The Party’s Over”, “Poopie and PeePee”, “No One Seems Alarmed”, “Into the Bubble”, etc. I find that humor goes a long way in alleviating despair. (Смех сквозь слезы – laughter through tears)

“What I try to do in my verse is to use casual idiomatic vernacular, complete with slang, i.e., natural spoken speech, but to render the lines using meter and rhyme, so that the patterns are hardly noticed, though they hold the whole structure together. It has to sound natural even if it’s rhymed trimeter, which is fun to do. I’m fine with approximate rhyme, approximate rhythm (like mixed dactyls and trochees), and approximate meaning, but it has to be smooth. One forced rhyme blows the whole thing.”

Bill Bowler was born in New York City in 1950. He graduated from Columbia University in 1972 and received a Ph.D. in Slavic Languages & Literatures from the University of Michigan in 1981. He has a wry biography at https://www.bewilderingstories.com/bios/bowler_bio.html#biblio, with links to his poems and stories.

Photo: “KELLYS IN KCMO” by roberthuffstutter is licensed under CC BY 2.0.

Piet Hein, ‘Consolation Grook’, tr. Piet Hein

Losing one glove
is certainly painful,
but nothing
   compared to the pain,
of losing one,
throwing away the other,
and finding
   the first one again.

*****

Piet Hein’s original Danish version, ‘Trøstegruk’ reads:
Den, som taber sin ene handske,
er heldig i forhold til dén,
der taber den ene,
kasserer den anden
. . . og finder den første igen.


Hein did his own translation into English (as he did with hundreds of his Grooks), and sacrificed word-for-word translation for the sake of keeping the rolling rhythm and the rhyme: the original’s word “lucky” has gone, the word “pain” is introduced to rhyme with “again”. I am glad to see a poet translating his own work, and keeping the versifying more important than the literal words. This is what poetry translation is all about, surely.

The poem has an interesting origin story: it was written right after Germany occupied Denmark in April 1940, and was published in the newspaper Politiken’s daily short poem spot. While it passed German censorship as a light comment on the vicissitude of things, the Danish resistance movement (which Hein was active in) spread it as graffiti across the country, a coded message with losing one glove representing losing freedom, and throwing away the second glove representing giving up your patriotism, collaborating, which you will eventually come to regret.

‘Consolation Grook’ was the first Grook published by Piet Hein. He had a rich and varied life, with an academic background in science, art and philosophy; he was a script writer, an inventor, a furniture designer, a game creator; someone Niels Bohr would bounce ideas off, a friend of Einstein, Charlie Chaplin, and the puzzle creator Martin Gardner. Piet Hein was married four times, and before you think that his personal life would have been like his very civilised grooks, I suggest reading about his tendency to violence and the questions it raises about the death of his fourth wife, the Swedish actress Gerd Ericsson: https://pershmail.substack.com/p/piet-heins-problems

Illustration: by Piet Hein

Using form: James Joyce, ‘XXXVI’ from ‘Chamber Music’

I hear an army charging upon the land,
And the thunder of horses plunging, foam about their knees:
Arrogant, in black armour, behind them stand,
Disdaining the reins, with fluttering whips, the charioteers.

They cry unto the night their battle-name:
I moan in sleep when I hear afar their whirling laughter.
They cleave the gloom of dreams, a blinding flame,
Clanging, clanging upon the heart as upon an anvil.

They come shaking in triumph their long, green hair:
They come out of the sea and run shouting by the shore.
My heart, have you no wisdom thus to despair?
My love, my love, my love, why have you left me alone?

*****
James Joyce is a fascinating author, from his novels dense with ideas, descriptions and wordplay, to his grotesque private love letters, normal short stories and formal verse. This poem is the last of the 36 in his 1907 collection ‘Chamber Music’, and the one that I come back to the most. Apart from the imagery, I am intrigued by the unnatural rhyming of the first and third lines, and not the second and fourth, in each stanza: the form is unsettling, and works very well with the inverted reality of dreams and with the discomfort of these particular emotions swirling through fear, loss and loneliness.

“James Joyce” by MEDIODESCOCIDO is licensed under CC BY 2.0.

John Gallas, ‘Blantyre Sonnet’

My new clothes should eat the pilau – Persian proverb

Refused admission. Speel’s. On Friday night.
Apparently my clothes. Not smart enough.
Full they said. Departed in a huff.
Ate at Goldberg’s. Went back Monday night.
Same fat bouncer. Wore my Paul Smith suit.
Nothing said. Nice table by the bar.
Cocktails. Hognuts. Champagne. Caviar.
Alligator steaks. Took off my suit.
Arranged it on the chair like that and that.
Spooned the food inside it. Then the drink.
Waiters looked the other way. I think
I proved my point. Paid up and took my hat.
Tipped the bouncer. Bowed at Bwana Speel.
‘I think,’ I said, ‘the suit deserved the meal.’

*****

John Gallas writes: “It’s one of my favourite ‘Persian Proverb’ stories (the original is a merry little read, involving a guest at a Vizier’s house) and making the sonnet was therefore – the whole content being pre-provided – an exercise in style, form, rhyme etc., a challenge I very much like – which is why I do so much translating. I also happen to think that the ‘message’ (though I’m not that fond of poems with ‘messages’) applies increasingly to a world of judgement by appearances, influencers, and pre-packaged (but, alas, empty-packaged) ideas of social success. I don’t often get this ‘relevant’, but the applicability just came with the story, and that kind of proves it’s timeless/universal, and not my personal grouch.

‘Blantyre’: has an interesting history – I was asked to ‘Rep of Ireland-ify’ it for a Food Festival in Cork, were it went down (haha) well – so I entered it for the ‘Taste’ poetry competition last year … and it won! So I have 2 versions – I think the ‘Irish’ one is a bit more zippy, but whichever you prefer is ok with me – I’ve attached the ‘Abhar Blas’ (‘A Matter of Taste’) version.”

ábhar blas
(a matter of taste sonnet)

refused admission – Friday night – at ‘Gator –
apparently my blús – not smart enough –
FULL they said – departed in a huff –
ate at Porkys –
went back one week later –
same trom Bouncer – wore my Trixie Blout –
nothing said – nice table by the bar –
tapas – Boxty Raws – Moss-Roasted Gar,
Thomas Walk Champagne –
undressed – laid out
my suit – like someone in my seat – and piled
the food into its lap – poured in the drink –
Waiters looked the other way – I think
I proved my point – paid the damage – smiled –
tipped the Bouncer – thanked Cócaire O’Neill –
I guess – I said – the suit deserved the meal.

*****

John Gallas, Aotearoa/NZ poet, published mostly by Carcanet. Saxonship Poet (see www.saxonship.org), Fellow of the English Association, St Magnus Festival Orkney Poet, librettist, translator and biker. 2025 Midlands Writing Prize winner. Presently living in Markfield, Leicestershire. Website is www.johngallaspoetry.co.uk which has a featured Poem of the Month, complete book list, links and news.  

Illustration: ‘Blantyre Sonnet’ by RHL with ChatGPT-6 Astra Light. Not perfect, but I wasn’t going to waste time arguing about to collapse the clothes…

Using form: Helena Nelson, ‘Post-NSTEMI, as prescribed’

We want your heart to function at its best.
Bisoprolol’s a helpful little pill (lol)
and aspirin’s a friend. You’re less impressed,
it seems, by side-effects of Ramipril
but the cough may pass. Any chesty pains?
Squirt GTN under your tongue. It’s droll
how nitro-glycerin expands the veins
and arteries. As for Lansoprazole,
undoubtedly protecting your digestion
from anti-platelets such as Prasugrel,
yes, take it. Eplerenone is my suggestion
as best antagonist. Won’t you pop that in,
O protagonist? And zap LDL
for sure before you snore—Atorvastatin.

*****

Helena Nelson writes: “After a heart attack, I was fitted with a stent in one cardiac artery and prescribed eight drugs, though one was optional (the GTN spray) and another only for the first six months (Prasugrel). I struggled to remember their names and purposes, so I put them in a sonnet, and as much about them as I could manage. LDL is so-called ‘bad cholesterol’. Bisoprolol is a beta-blocker and helps regulate blood pressure. Eplerenone is an aldosterone antagonist (this supposedly helps keep the heart muscle in shape). Make of that what you will. As they say on FaceBook, ‘it’s complicated’.”

Helena Nelson runs HappenStance Press (now winding down) and also writes poems. Her most recent collection is Pearls (The Complete Mr and Mrs Philpott Poems). She reviews widely and is Consulting Editor for The Friday Poem.

Illustration: “San Antonio Dr. Julio Palmaz and Schatz invent balloon expandable heart stent” by gunaxi is licensed under CC BY-NC-SA 2.0.

Odd poem: T.S. Eliot, ‘The Triumph of Bullshit’

Ladies, on whom my attentions have waited
If you consider my merits are small
Etiolated, alembicated,
Orotund, tasteless, fantastical,
Monotonous, crotchety, constipated,
Impotent galamatias
Affected, possibly imitated,
For Christ’s sake stick it up your ass.

Ladies, who find my intentions ridiculous
Awkward insipid and horridly gauche
Pompous, pretentious, ineptly meticulous
Dull as the heart of an unbaked brioche
Floundering versicles feebly versiculous
Often attenuate, frequently crass
Attempts at emotions that turn out isiculous,
For Christ’s sake stick it up your ass.

Ladies who think me unduely vociferous
Amiable cabotin making a noise
That people may cry out “this stuff is too stiff for us” —
Ingenuous child with a box of new toys
Toy lions carnivorous, cannons fumiferous
Engines vaporous — all this will pass;
Quite innocent — “he only wants to make shiver us.”
For Christ’s sake stick it up your ass.

And when thyself with silver foot shalt pass
Among the Theories scattered on the grass
Take up my good intentions with the rest
And then for Christ’s sake stick them up your ass.

*****

It is always sad with a favourite author to realise you’ve read everything they published, and there will be no more. Occasionally, though, some additional manuscript turns up–typically not of the highest standard, but enjoyable all the same. This is the case with a notebook of some fifty poems that T.S. Eliot wrote in his twenties and sold to his New York benefactor John Quinn. Edited and extensively annotated by Christopher Ricks, the work was finally published as ‘T.S. Eliot – Inventions of the March Hare – Poems 1909-1917‘ in 1996.

This odd poem manages to (incompletely) combine ballade form with a parody of the final quatrain of FitzGerald’s ‘Rubaiyat of Omar Khayyam’.

Photo: “March hare…” by Newtown grafitti is licensed under CC BY 2.0.



Matthew Arnold, ‘The Progress of Poesy’

Youth rambles on life’s arid mount,
And strikes the rock, and finds the vein,
And brings the water from the fount,
The fount which shall not flow again.

The man mature with labour chops
For the bright stream a channel grand,
And sees not that the sacred drops
Ran off and vanish’d out of hand.

And then the old man totters nigh
And feebly rakes among the stones.
The mount is mute, the channel-dry;
And down he lays his weary bones.

*****

I don’t know why I delight in Matthew Arnold‘s beaten-down, downbeat poems… but I always have! 🙂 And isn’t his hair bizarrely fascinating?!?

Photo: by Elliott & Fry, published by Bickers & Son, woodburytype, circa 1883; published 1886

Poetry resource: RhymeHamster (.com)

Jeremy Desmon writes: “RhymeHamster is a rhyming dictionary I edit by hand. What may interest formal poets most is that perfect rhymes are kept strict, so near misses don’t slip into the list. Slant rhymes are kept separate, on a dial you can adjust. It’s free, with no ads and no login.”

https://rhymehamster.com

When Jeremy approached me with his rhyming dictionary, my first action was to check for rhymes with ‘orange’. This is a tricky word, as different people treat it differently: as one syllable or as two. Versification is complicated in English by words like this. ‘Fire’ and ‘child’ come to mind – they create interesting opportunities for metre as well as challenges for rhyme. Anyway, RhymeHamster doesn’t list ‘sporange’, ‘the Blorange’ or ‘Daniel Gorringe’ which (to me) are all perfect rhymes.

Eminem has a further take on rhymes for orange – here is a 2-minute clip from a 2025 ’60 Minutes’ interview, with some solid slant rhymes. https://www.youtube.com/watch?v=WgQI655FqtM&t=131s

Jeremy Desmon is a musical theater bookwriter and lyricist. For twenty years he has taught a playwriting workshop at Princeton, focused on musicals and songwriting.
www.jeremydesmon.com
www.WeWriteMusicals.com