Drifting and drifting in an eddying stream
The leaf cannot recall the maple tree;
Pieces fall off; it has nor plan nor scheme;
How could a leaf have sense of destiny?
Its work is done; tree-feeding fades like dream,
Tree-making’s not a possibility.
It drifts and rots, nibbled by perch and bream
Or reaches finally the endless sea.
The sea itself moves, rhythmical and blind:
Is calm, or sprays salt as the waves make foam.
Seas have no will, no parliament of mind,
To make directives like hives make bees roam
To pollinate the world, defend their kind,
And with their mind create their honeycomb.
This sonnet drifts in several ways. The rhythm of iambic pentameter is meditative, rambling. The rhyme scheme is slow, repetitive, changing between the octave and sestet: ABABABABCDCDCD. And the ideas drift: the leaf is left behind when it reaches the sea, and the sea is abandoned for bees. The form seems suitable for the content.
‘Drifting’ has just been published in this month’s Snakeskin, whose editor commented “I like the way it moves from one idea to another that you don’t expect.” Thanks, George Simmers!
Photo: “Like a Leaf in a Stream” by Referenceace – Working! is licensed under CC BY-NC-SA 2.0
Though my chosen sonnet form is the Petrarchan format, I did enjoy this, Robin.
Good wishes, LindaAnn
― Ƹ̵̡Ӝ̵̨̄Ʒ ―
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Thanks, LindaAnn. I’ve got a book of 64 sonnets by Keats – it’s interesting to see him mastering one format, experimenting, shifting to another…
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