
Half of my favorite works of fanfiction
are stories that anesthetize the pain
produced by the original’s depiction
of harsh events: the person whom the main
character loved who met a tragic end
is resurrected in the fan-made sequel;
the star-crossed couple gets a chance to mend,
and consummate, a bond that has no equal.
The other half are stories that prolong
the pain and also boost its magnitude
deliciously until my nerves all tingle:
near-misses multiply, and roadblocks throng;
epiphanies loom close yet still elude;
misunderstandings keep our heroes single.
*****
Jenna Le writes: “I believe there’s been a fair amount of published scholarship in recent years about fanfiction and fanfiction culture. I admit I’m not up-to-date on any of it, really, and am only really conversant with such aspects of it as I have personally chanced to encounter. I can only say there seems to have been recent movement toward increased legitimization of the field: in 2019, one of the prestigious Hugo Awards for speculative fiction was awarded to a body of fan-work/transformational work, for instance. Just as for other flavors of fiction, there are probably infinitely many ways to classify and subclassify fanfiction. Novelist Naomi Novik‘s work and interviews are maybe a good place to start looking, for people curious to learn more.”
Jenna Le (jennalewriting.com) is the author of three full-length poetry collections, Six Rivers (NYQ Books, 2011), A History of the Cetacean American Diaspora (Indolent Books, 2017), and Manatee Lagoon (Acre Books, 2022), https://press.uchicago.edu/ucp/books/book/distributed/M/bo185843950.html The sonnet ‘Guilty Pleasures’ was first published in Snakeskin.
Photo: “guilty pleasure” by ohmann alianne is licensed under CC BY-NC-ND 2.0.
