Tag Archives: disability

Weekend read: Odd poem: Benjamin Disraeli, ‘To A Beautiful Mute (The Eldest Child of Mr. Fairlie)’

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Tell me the star from which she fell,
Oh! name the flower
From out whose wild and perfumed bell
At witching hour,
Sprang forth this fair and fairy maiden
Like a bee with honey laden.

They say that those sweet lips of thine
Breathe not to speak:
Thy very ears that seem so fine
No sound can seek,
And yet thy face beams with emotion,
Restless as the waves of the ocean.

‘Tis well. Thy face and form agree,
And both are fair.
I would not that this child should be
As others are:
I love to mark her indecision,
Smiling with seraphic vision

At our poor gifts of vulgar sense
That cannot stain
Nor mar her mystic innocence,
Nor cloud her brain
With all the dreams of worldly folly,
And its creature melancholy.

To thee I dedicate these lines,
Yet read them not.
Cursed be the art e’er refines
Thy natural lot:
Read the bright stars and read the flowers,
And hold converse with the bowers.

*****

This poem for a mute girl and another (‘To a Maiden Sleeping After her First Ball’) can be found in All Poetry; they each have an accurate but uninspiring AI-driven analysis after them; the subsequent comments are more engaging:
WolfSpirit – “keep writing, Benjamin. you may just be a known poet someday. “
Linda Marshall – “I know Disraeli as a novelist and (of course) as a politician.
This is the first poem of his I’ve ever read!
It has its moments and of course tastes were different in those days but there are rhythmical infelicities and some rhymes that verge on the comic.
I can see why he’s known for his prose rather than his poetry!”

Benjamin Disraeli was born into a Jewish family in 1804; his father quarrelled with the synagogue and renounced Judaism, and had all the children baptised into the Church of England when Disraeli was 12. After school, Disraeli was articled to a law firm at age 16, and his career went from there to stock market speculation, financial ruin, novel writing, and then politics. He was twice Prime Minister of the United Kindom, and was appointed Earl of Beaconsfield by Queen Victoria in 1876. He died in 1881, unmourned as a poet.

Photo: Earl of Beaconsfield, K.G. Photographed at Osborne by Command of H.M. The Queen, July 22, 1878. This file was derived from: Benjamin Disraeli CDV by Cornelius Jabez Hughes, 1878.jpg

Formless poem: RHL, ‘Marty Ravellette’

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The man with no arms sat on the stool in the diner;
he was shoeless: How else could he drink his coffee,
eat his scrambled eggs?

The man with no arms parked his truck and got out barefoot.
He fired up his chainsaw; he had a landscaping business.
With the log out of the way, he could cut the grass,
push the lawnmower around with his chest.

The man with no arms saw the woman in the burning van,
barefoot, he kicked in the window, so his wife
could reach in and unlock the door, help the woman escape.

Somewhere Kipling’s Creator of All Things must have told him “Play –
play at being who you are,” and he played.

Somewhere Lear’s Aunt Jobiska must have told him “This is the best.”
And he lived, happy with who he was, glad for no arms
because no arms made him who he was, and he liked who he was.

Nor was the man with no arms alone.
The boy with no hands sat in the laundromat, knitting.
He had metal pincers. His mother was washing the clothes.
The girl with two heads, or rather the twins with only one body,
they live, argue, love, share.
And the men with no legs have a chance to run faster than all,
will require a new type of Olympics.
And the child born to die – does that disturb you, “the child born to die”?
The child born to die is me and is you, is all humans, all life,
all planets, stars, galaxies, all.
Listen to Lear’s Aunt Jobiska: This is the best.
Listen to Kipling’s Creator of All Things, and play.

*****

Marty Ravellette was a highly respected inhabitant of Chapel Hill, North Carolina, where he lived the last 16 years of his life – running his landscaping business, taking a break in a local diner, frequently a guest lecturer in journalism at UNC. He was a Baha’i convert, and a hero.

Occasionally I break my own rules about poetry, and write a poem in a style which I consider to be really flash fiction (or flash non-fiction in this case). The things I had to say didn’t present themselves in anything hinting at traditional verse, and therefore I just said them as best I could. But both Snakeskin and The HyperTexts consider it poetry, so I won’t argue. I’m not sure it should be in the formalverse.com blog, however…

Photo: Figure 8 Films