Tag Archives: iambic heptameter

Simon MacCulloch, ‘As Yet Not Come to Life’

The chain between your ankles clanks upon each creaking stair
As you ascend from cellar depths through shadowed drops to where
I lie behind my bedroom door. A cartoon ghost, you seem,
Come dragging from a TV tale to shamble through my dream
Then out the waking end, with chains a-rattling, bones stripped bare.

No doubt you have a story of your own; it isn’t mine,
And if you have a role for me it’s one I must decline.
I’ve never been a Montresor, a Scrooge is not my style,
(I may not lack the malice but I surely lack the guile).
I hide no guilt of which a ghost might form the outward sign.

Well, yes, there’ve been some peccadilloes (now you’ve reached the landing),
But nothing on the scale I sense your bloody bones demanding.
The murders I have dreamed of I have quailed from in the doing,
The chances I have missed the only fuel for my rueing.
There’s nothing you can lay before the door at which you’re standing.

And yet this door is opening slowly – slowly in you come,
Your grin as final as the grave, your empty skull as dumb,
Your only sound the rusty crepitation of the chains
That drape the fleshless network of your hollowed-out remains.
There’s nothing in you – mine the depths your pitted sockets plumb.

And now I grasp your import, and I shake with joy and dread.
For what was it that Shakespeare’s Earl, in dark foreboding, said?
“Such things” (our present seeds) “become the hatch and brood of time”.
And thus I birth the spectre of my destiny in crime.
Strike off your chains – my deeds to come will raise you by their dead!

*****

Simon MacCulloch writes: “As Yet Not Come to Life” takes as its starting point an image that terrified me as an infant. It was in a televised, animated adaptation of Dickens’ A Christmas Carol – at one point, the ghost of Marley is shown mounting a staircase  towards Scrooge’s room, and we are shown only the skeletal lower legs as they slowly ascend the steps, inhibited by shackles round the ankles. This image became the main focus of my typical childish bedtime fears for a long while afterwards and has never been quite forgotten. I hope to take it to my grave, though not just yet.”

‘As Yet Not Come to Life’ was first published in Pulsebeat Poetry Journal.

“Simon MacCulloch has published hundreds of poems in a variety of outlets, including literary, academic, genre, humorous and religious publications. He lives in London. His Lovecraftian sonnet sequence, The Eyes of Azathoth, is due from Jackanapes Press in October 2026.

Marley with Chains figurine” by Peter E. Lee is licensed under CC BY-NC 2.0.

Iambic heptameter: Simon MacCulloch, ‘Jasmina’

Jasmina is the doorway, Jasmina is the key;
Jasmina walks the path beside the pearl-infested sea.
The angels peer bewildered from the god-infested sky;
Jasmina is the only how that doesn’t need a why.

I see her in the morning in her robe of melting frost;
She visits me at noontime when the meaning has been lost.
At evening she invades the nooks the spiders thought their own
Till night demands a moon; she stoops, and hurls it like a stone.

I used to think her complicated, now I know she’s not
(A how that doesn’t need a why has little use for what).
I used to think she’d care for me, if only for a while;
I used to think a lot of things before I saw her smile.

I never hear her speaking though I think she has a song
Which many claim to know although they always get it wrong.
She feels like furry gossamer and tastes like perfumed smoke;
I often hear her laughter but I never learn the joke.

Jasmina is a destiny, Jasmina is a doom;
Jasmina is a woman but with stars within her womb.
The demons peer demented from their hope-infested hell
And beg her for a story, but she hasn’t one to tell.

*****

Simon MacCulloch writes: “Jasmina is a slightly offbeat take on the great western goddess motif (Aphrodite, the Virgin Mary etc). It is not based on anyone I know.”

Simon MacCulloch lives in London and contributes poetry to a variety of print and online publications, including Reach Poetry, View from Atlantis, Pulsebeat Poetry Journal, Spectral Realms, Black Petals and others. Jasmina was originally published in Blue Unicorn.

Photo: “mask” by new 1lluminati is licensed under CC BY 2.0.