Tag Archives: museums

Melissa Balmain: ‘What I’ve Learned From Museums’

I.

In centuries past,
women seldom moved fast,
preferring to spend
hours on end
staring at pools,
stretching on stools,
or sitting on swings.
Now and then, they had flings
and were equally stirred
by a man or large bird.
If they did need to race –
to hunt deer or outpace
vicious hordes – they took care
that their clothing and hair
would cover, at best,
one perky breast.

II.

For generations, men were super jacked,
no doubt because they wanted to distract
observers from the fact that nearly all
their nether parts were vanishingly small.

III

Kids used to be mini adults,
with often impressive results –
even fresh from the womb
they could light up a room
and preside over sizeable cults.

Other children (nude, not a bit shy)
were great archers. I wish we knew why
they would soon have their fill
of that valuable skill
and, sadly, forget how to fly.

*****

Melissa Balmain writes: “Obviously, the museums and exhibits referenced in this poem are a specific breed—several of which I visited last summer during a heat wave in Paris. (Travel tip: if you’re looking for Louvre-quality art, but you’re running low on Euros, check out the Petit Palais. Not only is it free, it’s air-conditioned.)”

First published in Lighten Up Online.

Melissa Balmain edits Light, North America’s longest-running journal of comic verse, and teaches writing at the University of Rochester.  Her poems and/or prose have appeared in Crab Orchard ReviewEcotoneThe Hopkins ReviewLiterary MattersMcSweeney’sThe New YorkerThe New York TimesNimrodPoetry Daily, and Rattle. Her latest book of poetry is Satan Talks to His Therapist (Paul Dry Books). 

Illustration: Boucher, François – Le Repos des nymphes au retour de la chasse, dit Le Retour de chasse de Diane – J 10 – Musée Cognacq-Jay

Potcake Poet’s Choice: Jerome Betts, ‘In Northampton Museum’

Among the hide-and-canvas lace-ups made
For some poor elephant’s giant tender feet
And leathery minutiae of trade
     In boots, dissected or complete,

Mint Army-issue, every shade of bruise,
With Tudor scraps from trenches workmen dig,
You find a case containing John Clare’s shoes,
    Asylum-worn, and very big.

Jerome Betts writes: ”In Northampton Museum, published in Angle and The Hypertexts, is for me one of those pieces in which some lines just seem to arrive fully formed. In 1969-70 I lived for eighteen months in Northampton and sometimes visited its Shoe Museum whose displays reflected the traditional local industry. The town also still had the former Northampton County Asylum (now a private psychiatric hospital) where John Clare spent his last years. Somehow, the military  footwear, the curious elephant boots and Clare’s shoes all seemed to come together. Oddly enough, nearly  two years ago  I received a Lighten Up Online contribution about elephants from someone in the USA who, it turned out, knew another contributor who knew the American leader of the expedition in 1950, testing some theory about Hannibal’s’ crossing of the Alps, for which the elephant boots had been made.”

Jerome Betts was born and brought up on the Welsh border, but now lives in South Devon, where he edits the quarterly Lighten Up Online. In addition to articles and verse in consumer and specialist magazines his work has appeared in Pennine Platform, Staple and The Guardian, as well as anthologies like The Iron Book of New Humorous Verse, Limerick Nation, Love Affairs At The Villa Nelle,  Extreme Sonnets, Extreme Formal Poems and The Potcake Chapbooks 1 & 2, and online at Amsterdam Quarterly, Angle, The Asses of Parnassus, Autumn Sky Poetry Daily, Better Than Starbucks,  The Hypertexts, Light, The New Verse News, Parody, The Rotary Dial, Snakeskin, and other sites.

https://www.lightenup-online.co.uk/