Tag Archives: Peggy Landsman

Using form: Ghazal: Peggy Landsman, ‘In the End’

Accept that everything ends in the end.
Nothing is left to defend in the end.

Whatever happens in this world of ours,
What’s not healed or resolved rends in the end.

We want to believe that time heals all wounds,
But we must make our amends in the end.

Justice delayed is justice denied,
Just as they intend in the end.

Feel the iron fist in the velvet glove.
The least bending of wills bends in the end.

“Kein Mensch muss müssen.” No one’s compelled to be compelled.
“Just following orders” is condemned in the end.

There are plenty of substitutes for the truth;
It is disbelief that suspends in the end.

*****

I think this ghazal speaks for itself, but there’s one thing that I’d like to credit. The German “Kein Mensch muss müssen” is from the play Nathan der Weise (Nathan the Wise) by Gotthold Ephraim Lessing (1729-1781).

Peggy Landsman is the author of the full-length poetry collection, Too Much World, Not Enough Chocolate (Nightingale & Sparrow Press, 2024), in which “In the End” appears. To read more of her work, visit her website: peggylandsman.wordpress.com

FDR Memorial – Washington DC – 00055 – 2012-03-15” by Tim Evanson is licensed under CC BY-SA 2.0: “They (who) seek to establish systems of government based on the regimentation of all human beings by a handful of individual rulers… call this a New Order. It is not new and it is not order.”

Unrhymed sonnet: Peggy Landsman, ‘Shortly Before Another Winter Solstice in South Florida’

The seasons flow from much too hot to warm;
the moon balloons from farther south to north.
I struggle with myself to catch sunrise;
I shiver at sunset as darkness dawns.
Two clouds drift by in stillness as in dream.
My mind makes small confessions in the dark.
I wander through this ordinary night
discovering new doubts about myself.
The weather of my moods, not too extreme;
the climate of my life in crisis blooms.
The winter days grow short; my life, too long.
My understanding pales beneath the moon.
We creatures who’ve evolved to change the world
have not evolved enough to change ourselves.

*****

Peggy Landsman writes: “It did take me quite a while to make the transition from Berkeley, California, but now, after twenty-one years in South Florida, I’m finally over my culture shock.
I love walking on the beach and swimming in the ocean when the water temperature is at least 80°. I love the birds I see more of here than in other places: ibises, egrets, herons, ospreys, pelicans, etc. And I get all the culture I need for free from my local public county library. If they don’t have a movie, cd, or book on their shelves, they order it through ILL (inter-library loan).
I spend most of my time writing and hanging out with my favorite other person. What more could any septuagenarian poet want?
Also: The poem was first published under the slightly shorter title “Before Another Winter Solstice in South Florida” in the Winter 2024 issue of The Orchards Poetry Journal. And, by the way, that’s a very friendly journal for formal poetry. Thanks, Karen and Jenna!”

Peggy Landsman is the author of the full-length poetry collection, Too Much World, Not Enough Chocolate (Nightingale & Sparrow Press, 2024), and three other books, including the poetry chapbook Our Words, Our Worlds (Kelsay Books, 2021). She lives in South Florida where she spends as much time as possible at the beach. To learn more about her and her work, visit: https://peggylandsman.wordpress.com/

Photo: “Walk on a Warm Beach” by justenoughfocus is licensed under CC BY-NC 2.0.

The Two-State Dissolution (2): Landsman, Burch, Lehr, Foster, Galef, Soderling, Kenny, Helweg-Larsen, Smith, Bales, Shore

Peggy Landsman, ‘Go Tell It On The Mountain

Hagar and Sarah should have talked,
Laughed together when alone.
Who did Abraham think he was?
Ha-Yehudi ha-rishon?*

Ishmael and Isaac should have been
Boon companions, closer than brothers,
Passing their days doing their chores,
Tending their father’s sheep together…

Staying up late entertaining themselves
Arguing over the numbers of stars
Each was the first to have named.

*”Ha-Yehudi ha-rishon” means “The first Jew” in Hebrew.

Michael R. Burch, ‘Frail Envelope of Flesh’
for the mothers and children of Gaza

Frail envelope of flesh,
lying cold on the surgeon’s table
with anguished eyes
like your mother’s eyes
and a heartbeat weak, unstable…

Frail crucible of dust,
brief flower come to this—
your tiny hand
in your mother’s hand
for a last bewildered kiss…

Brief mayfly of a child,
to live two artless years!
Now your mother’s lips
seal up your lips
from the Deluge of her tears…

Quincy Lehr, ‘Passive Voice’

History is back in passive voice.
All you can do is watch. The teams were picked;
the commentary doesn’t match the plays.
The game is rigged, and everybody sees.

The game is rigged, and everybody sees,
but referees ignore it, and debate
is limited to the cheap seats far away.
The villains are the only proper nouns.

The villains are the only proper nouns,
the only ones worth mentioning besides
the nebulous abstractions for the rest.
None believe what everyone accepts.

History is back in passive voice.
The game is rigged, and everybody sees
the villains are the only proper nouns.
None believe what everyone accepts.

Gail Foster, ‘The Heap’

How many does it take to make a right?
Go fling another on. The heap grows high
Before too long it will obscure the light
And then where will we be. The end is nigh
And still it reaches up towards the sky
How many more, the village women weep
Of all our sons and brothers have to die
While we pile wrong on wrong upon the heap

Remember sky, how blue it was and bright
And wide, when only birds and clouds did fly
And moons and stars were visible at night
When women laughed and children didn’t cry
What use is wrong for wrong and eye for eye
The world grows blind and bitter and we reap
What we have sown and see our rivers dry
While we pile wrong on wrong upon the heap

What use a pile of pacifists? The sight
May cause a running man to stop and sigh
The wise man said, and think about the fight
And for a fleeting moment wonder why
They chose to sacrifice themselves, deny
The life force and there lie in peaceful sleep
They make a monument, he said, nearby
While we pile wrong on wrong upon the heap

Dear God, when will it end? When will you try?
The heap grows higher and the sides too steep
We love our neighbours with the guns we buy
While we pile wrong on wrong upon the heap

Daniel Galef, ‘Desert Kite’

These endless shifting sands—
They’re always changing hands,
But you can’t make bricks without breaking a little hay.
With oil the streets are pavèd;
Since Solomon and David,
They draft a brand-new atlas every day.
The apostles! The epistles!
And the fossil fuels and missiles—
Like manna in the wilderness they fall!
The land of Abrahamics
Now hosts General Dynamics
With their guardian angels gliding over all.

Janice D. Soderling, ‘Out of Paradise’

A closely woven stillness lines the air,
like linen bedding in a lifted coffin.
Though silence is a hallmark of our time, not often
has the hush been so oppressive. Where
the sand fox sprawls, sprawls too the shattered hare.
Cadavers of gazelle and roe deer stiffen;
the wadded pods of thorn trees burst. If when
you ponder on this devastated garden,
its wretched shame, its bottomless despair,
think not animal, but human, shreds in Eden.
And human was the animal lately passing there.

Janet Kenny, ‘After’

We saw them sweep in like a wolf on the fold.
We hypocrites judge as if time was involved.

Lament, all you lovers whose loved ones are gone.
Condemn, all you judges now grief is your song.

After the fury what’s left to repair?
Oh impotent jury, your conscience is there.

No poem will save us no tears will avail.
No weapons will spare us from history’s gale.

No art can encompass the scale of this rage.
“Tomorrow” is yesterday trapped in a cage.

Robin Helweg-Larsen, ‘Books’

When Science and Experiment
were done through myth and dream, it meant
that Bronze Age herders showed their bent
in naïve tribal Books.

The Israelites searched 40 years
for good land, unprotected, bare,
and slaughtered all those living there –
justified by their Book.

The Muslims conquered far and wide
(and called it peace, and millions died)
to spread new tales we now deride,
new versions of that Book.

The Christians sent wave after wave
crusading, claiming that they’d save
the “Holy Land”… made it a grave,
thanks to their stupid Book.

You advertise benevolence
but justify intolerance
by quoting this or that sentence
from one or other Book.

You bomb a house, a baby dies…
lift up your eyes so we can rise
above the vicious tribal lies:
those stupid, stupid Books.

J.D. Smith, ‘Report from the Field’

I rang the doorbell
of the demolished house
and was met by its generations,
fully armed.

Marcus Bales, ‘Heal or Hate’

You lift or do not lift the weight;
You’re either dealt-to or you deal.
Pick the other, pick the one,
The choice you have is heal or hate,
And you can’t ever hate and heal

Call it nature, nurture, fate
Genetics, fantasy, or real —
Blame whatever – when you’re done
You lift or do not lift the weight.
You’re either dealt-to or you deal.

Short-term crooked looks like straight;
Short-term truth sounds like a spiel.
In both the short and longer run
The choice you have is heal or hate —
And you can’t ever hate and heal

I know, the choices don’t seem great.
They lack in zip or sex appeal.
But no one said this would be fun.
You lift or do not lift the weight.
You’re either dealt-to or you deal.

You must massage your mental state
To organize the way you feel
In spite of all the bullshit spun.
The choice you have is heal or hate,
And you can’t ever hate and heal

You often have to simply wait
And sift to see what’s really real
Since growing needs both rain and sun.
You lift or do not lift the weight;
You’re either dealt-to or you deal.

Late or early, it’s too late.
You’re living through the slow reveal.
The game is rigged: it can’t be won
Or even stopped once it’s begun.
You lift or do not lift the weight;
And though you’re dealt-to or you deal
The choice you have is heal or hate.
You cannot ever hate and heal.

Marion Shore, ‘Peace’

I came upon a garden in the sun,
where children ran and played among the trees,
and entering, I asked two little ones:
“Why are you here? And where are your families?”
One answered, “I was with my dad and mom.
We went into a café for a Coke.
And then I heard somebody scream ‘a bomb!’
and all that I could see was fire and smoke.”
The other said, “I went outside to play,
the street was crowded. Tanks were all around.
Soldiers were shooting. I tried to run away.
I heard a shot and fell down on the ground.
No one heard me crying for my mother.”
The first child said. “I wish I could go home.”
“So do I. But at least we have each other.”
The sun was rising higher in the sky:
my dream was fading, and as I waved goodbye,
‘Salaam,’ said one. The other said ‘Shalom.’


Yuval Noah Harari: We suffer not from the narrowness of the land, but from the narrowness of the mind. https://youtu.be/Uncfi9cgZWo

It’s all about stories: https://youtu.be/L82XOw9sVkY


Acknowledgements:
Peggy Landsman: ‘Go Tell It On The Mountain’, first published in The HyperTexts
Michael R. Burch: ‘Frail Envelope of Flesh’, first published in The Lyric
Daniel Galef: ‘Desert Kite’, first published in Light
Janice D. Soderling: ‘Out of Paradise’, first published in The Rotary Dial and included in her collection ‘War: Make that City Desolate’

Photo: “Scenes from Gaza Crisis 2014” by United Nations Photo is licensed under CC BY-NC-ND 2.0.

Short poem: Peggy Landsman, ‘Speech Impediment’

My every breath
An inspiration—
Breathlessness
My deathtination.

*****

Peggy Landsman writes: “About ‘Speech Impediment’: Need I say more?”

Peggy Landsman is the author of the full-length poetry collection, Too Much World, Not Enough Chocolate (Nightingale & Sparrow Press, 2023), and two poetry chapbooks, Our Words, Our Worlds (Kelsay Books, 2021) and To-wit To-woo (Foothills Publishing, 2008). She lives in South Florida where she swims in the warm Atlantic Ocean every chance she gets. ‘Speech Impediment’ was originally published in The Lyric, and a selection of her poems and prose pieces can be read on her website:  https://peggylandsman.wordpress.com/

Breathless” by eeblet is licensed under CC BY-NC-ND 2.0.

Using form: Sonnet variation: Peggy Landsman, ‘How We Live Now’

We’ve been living on this planet a lot longer
Than we had any right to hope we ever would.
The beliefs we cannot shake are growing stronger
And what we know, we know does us no good.

It can be awful knowing nothing matters.
It can be awful knowing we don’t care.
But we view our life in a gentle light that flatters
And dare to live exactly as we dare.

So here’s to life, this tricky one-way ride,
And to our love which makes it all worthwhile.
Two existential nomads, side by side,
We’ll live in beauty, Lebenskünstler style.

Our where is here, our when is now;
There is no why, no one knows how.

*****

Peggy Landsman writes: “I wrote ‘How We Live Now‘ for my husband’s 56th birthday (17 years ago). The clock was ticking and I couldn’t come up with anything to give him when, suddenly, I found myself writing like mad. This sonnet was his gift. He loved it then and still loves it now. He says it perfectly captures who the two of us are together. 
It was also a gift to me. The final couplet is one of my favorite bits of my own writing. Each line has only eight syllables, but I’m fine with that. Lots of lines in this sonnet are not the absolute regulation iambic pentameter, but since the poem says ‘And dare to live exactly as we dare…,‘ why not?”

Editor’s comment: “The final couplet is not just a summation of the attitude of the sonnet’s quatrains, but as a stand-alone is also the neatest, tightest existential statement that I know of.”

Peggy Landsman is the author of the full-length poetry collection, Too Much World, Not Enough Chocolate (forthcoming from Nightingale & Sparrow Press, 2023), and two poetry chapbooks, Our Words, Our Worlds (Kelsay Books, 2021) and To-wit To-woo (Foothills Publishing, 2008). She lives in South Florida where she swims in the warm Atlantic Ocean every chance she gets. A selection of her poems and prose pieces can be read on her website: https://peggylandsman.wordpress.com/

Photo: “if not here, where? if not now, when? if not me, who?” by kafka4prez is licensed under CC BY-SA 2.0.

Peggy Landsman, ‘Minimum Achiever’

Minimum Achiever, for years forlorn,
Grew grey and fat and out of fashion;
She wore the jeans she’d always worn,
And swore with passion.

Minimum loved the days gone by
When wars were wrong and songs were moving;
With files from the FBI,
What was she proving?

Minimum sighed for what had been,
And bitched and moaned how nothing lasted;
She longed for one more great love-in,
And dropping acid.

Minimum mourned the hippie years,
The counterculture’s zest and freedom;
She mourned ideals—her sell-out peers
Didn’t seem to need ’em.

Minimum loved her artsy friends,
And swore that she would start achieving;
Her starts were great, but had no ends
And left her grieving.

Minimum cursed the worthless game
And gave it up instead of trying;
She missed her fifteen minutes’ fame,
But wasn’t crying.

Minimum scorned the job she sought,
But how could she survive without it?
Minimum thought, and thought, and thought,
And thought about it.

Minimum Achiever, starting late,
Started out by hesitating;
Minimum knew she shouldn’t wait,
And kept on waiting.

*****

‘Minimum Achiever’ was first published with apologies to Edwin Arlington Robinson in Clockwise Cat.

Peggy Landsman writes: “I started writing ‘Minimum Achiever’ in 1978. Back then, Minimum watched TV: “…She turned and turned and turned the dial,/ but every station showed World War Three,/ modern, nuclear style.” She was also very political: “Minimum loved the anarchists,/ did actions in the name of Emma….”  In the almost thirty years it took me to complete the present version, she went through many changes. The one constant, though, has always been that she is the great-granddaughter of Miniver Cheevy.”

Peggy Landsman is the author of the full-length poetry collection, Too Much World, Not Enough Chocolate (forthcoming from Nightingale & Sparrow Press, 2023), and two poetry chapbooks, Our Words, Our Worlds (Kelsay Books, 2021) and To-wit To-woo (Foothills Publishing, 2008). She lives in South Florida where she swims in the warm Atlantic Ocean every chance she gets. A selection of her poems and prose pieces can be read on her website: https://peggylandsman.wordpress.com/

Photo: “For all those low achievers” by Claire_Sambrook is licensed under CC BY-NC 2.0.