Tag Archives: Elizabeth Browning

Marcus Bales, If Elizabeth Browning Had Written “I Will Survive”

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How do I love you? Well, not any more —
I love you? Not even to bread slice height
That has been toasted, buttered, rye or white,
And dropped the wrong side down upon the floor.
I love you like a mildew or a spore
Or pestilential fungal blastocyte
That makes one’s breath itself a mortal fight
And living life seem like a choking chore.
I love you? The one who made the try
To break me with goodbye, yet kept that key
Because you thought that I’d lay down and die
If you returned, assuming I’d be free?
Oh no — I snarl and spit, deny your lie,
And save my love for one who’s loving me.

*****

‘I Will Survive‘ – Song by Gloria Gaynor ‧ 1978 on YouTube

At first I was afraid, I was petrified
Thinking I could live without you by my side
And after spending nights
Thinking how you did me wrong
I grew strong
And I learned how to get along

Now you’re back
From outer space
And I find you here
With that sad look upon your face
I should’ve changed that stupid lock
Or made you leave your key
If I’d’ve known for a second
You’d be back to bother me

Go on, go, walk out the door
Turn around now
You’re not welcome anymore
You’re the one who tried to hurt me with goodbye
Think I’d crumble?
You think I’d lay down and die?

No, not I, I will survive
Long as I know how to love, I know I’ll stay alive
I’ve got my life to live
And all my love to give and
I will survive
I, I, I will survive

It took all my strength not to fall apart
Trying with all my might to mend my broken heart
I spent so many nights feeling sorry for myself
How I cried
But now I hold my head up high

And you see me, somebody new
I’m not that lonely little person
Still in love with you
Now you come droppin’ in
Expectin’ me to be free
Now I’m saving my lovin’
For someone who’s loving me

Go on and go, walk out the door
Turn around now
You’re not welcome anymore
You’re the one who tried to hurt me with goodbye
Thinkin’ I’d crumble
Did you think I’d lay down and die?

No, not I, I will survive
Long as I know how to love, I know I’ll stay alive
I’ve got my life to live, and all my love to give
And I will survive
I, I will survive

Go on, go, walk out the door
Turn around now
You’re not welcome anymore
You’re the one who tried to hurt me with goodbye
Think I’d crumble?
You think I’d lay down and die?

No, not I, I will survive
Long as I know how to love
I know I’ll stay alive
I’ve got my life to live
And all my love to give and
I will survive
I, I, I will survive

Songwriters: Frederick J. Perren / Dino Fekaris

Marcus Bales writes: “It started after I’d posted If Shakespeare Had Written ‘Itsy Bitsy Spider’ to Sonnet Central, and Mike Alexander asked me if I was going to do the entire Mother Goose in Shakespearean sonnets. That sounded too much like real work to me, so I said I hadn’t thought of it, but I did have another “If Shakespeare Had Written” poem, “If Shakespeare Had Written ‘I Will Survive‘”. Looking that up in my files produced “If Yeats Had Written ‘I Will Survive‘”, as well, so I posted both those, and then Milton tapped me on the shoulder and cleared his throat. So I wrote that one. 

“My method is to find a stash or cache of poems by the next poet who seems particularly likely — or unlikely — to have written ‘I Will Survive‘ if they’d been asked, and read through it, looking for characteristic modes, moods, tones, concerns, and sometimes just an old favorite that seems ripe for it. A sort of instant immersion in a poet’s work, and then try to flow into their tonality. Like a singer interpreting a song I try to inhabit the poet’s mise en scene.  Some are more successful than others.”

Marcus Bales has now produced a dazzling array of his “If X Had Written ‘I Will Survive‘”, over 40 and still growing, with a dozen in the current Brazen Head, including this Elizabeth Browning as well as Dorothy Parker, Dylan Thomas, Wendy Cope, Robert Frost and of course Shakespeare. Go ahead, give them a try! – RHL

Not much is known about Marcus Bales, except he lives and works in Cleveland, Ohio, USA, and his work has not appeared in Poetry or The New Yorker. His latest book is 51 Poems; reviews and information at http://tinyurl.com/jo8ek3r

Illustration: Portrait of Elizabeth Barrett Browning in 1859. Public domain

Using form: Sonnet: Max Gutmann, ‘How to Inspire a Sonnet – advice from the pros’

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Inspire amore first, but molto forte
If in sonetti dolci you’d be sung.
Then see that you stay bella. You’ll support a
Passione deep and long by dying young.
— Laura

If thou upon his stage the Muse’s part
Wouldst play, each act thou study’st must prolong
Thy Poet’s pain. ‘Tis pain shall prompt great Art.
Then con thy lines with style, and do him wrong.
— The Dark Lady

Stay always by her. Never for a day
Be from her cherished side. ‘Tis paramount
To share the highest love. (And, by the way,
It helps to choose a lover who can count.)
— Robert Browning

‘Tis mystery that fires the crucial spark,
So make him wait–and keep him in the dark.
— Milton’s blindness

*****

Max Gutmann writes: “A reader of Light Quarterly (the marvellous Light back in its days as a print journal) was so offended by a poem of mine ridiculing a lousy president that he cancelled his subscription. Beloved editor John Mella forwarded a copy of the note to me. It was a sonnet! I’d never thought I could inspire a sonnet. I had a ways to go before rivaling Laura or the Dark Lady, but I’d taken the first step. That inspired this poem.

“John declined the poem, so it first appeared in a journal that didn’t specialize in light verse, one highly thought of. (Digging it out now, I see that contributors to the issue the poem appeared in included, among others I admire, Updike, Espaillat, Turner, Gioia, and Hadas.) But the journal goofed. They changed sonnetti dolci to sonnetti dolce (plural noun, singular adjective). This must have been a typo, I imagined, but when I asked, the chief editor not only admitted the change had been intentional, but defended the decision. Dolce being the more familiar form, he argued, it was reasonable to make the change without consulting the writer. I never sent them anything again

“This story calls for a shout-out to Jerome Betts, who reprinted ‘How to Inspire a Sonnet’ in Lighten Up Online (LUPO). (To avoid the impression that Jerome is less than meticulous about acknowledgements–or about anything–I should make clear that I asked him not to acknowledge the earlier journal, and I didn’t name it for him.) Jerome, like most editors I’ve worked with, always asks before making changes–and his proposed changes are usually improvements, often big ones!”

Editor’s note: This poem suggests what might be appropriate ways to inspire sonnets, according to the subjects of sonnets: Petrarch’s Laura, Shakespeare’s Dark Lady, Elizabeth Barrett Browning’s Robert and Milton’s blindness. Self-referentially, the poem is itself a Shakespearean sonnet, written in response to being the subject of a sonnet. Gutmann is therefore both sonneteer and sonnetee, and has the credentials to write a “How to –“

Max Gutmann has worked as, among other things, a stage manager, a journalist, a teacher, an editor, a clerk, a factory worker, a community service officer, the business manager of an improv troupe, and a performer in a Daffy Duck costume. Occasionally, he has even earned money writing plays and poems.

Photo: “IMG_0323C Frans Wouters. 1612-1659. Antwerp. The rural concert. 1654. Dole” by jean louis mazieres is licensed under CC BY-NC-SA 2.0.