Tag Archives: lust

Using form: Ruba’i: RHL, ‘Ancient Tales of Love and War’

The pipes and women wail and skirl,
deaths following the flowering girl.
Ancient tales of love and war
show costs of dimple or a curl.

Tamil spear tips illustrate
intent before the towering gate;
bangles slide on her young wrists;
kings make war when made to wait.

Gods and goddesses choose sides:
a Trojan steals a youthful bride.
Who Trojans were we’ll never know –
Greeks burn the city, once inside.

A lovely face, a swelling bust –
and treasure, fame – inspired by lust
kings storm the ramparts, steal the girl,
before, like all, they turn to dust.

*****

This poem was inspired by a blog post in ‘Horace & friends’ on ‘Doing without consolation – Tamil poetry, Yeats and Simone Weil‘. The author, Victoria, touches on a lot more topics than my small piece does; visit her blog to see how Yeats’ “Like a long-legged fly upon the stream / Her mind moves upon silence” connects to ancient Tamil as well as ancient Greek poetry…

My poem here is in iambic tetrameter (with some liberties taken), rhyming AABA in English ruba’i form. It was published in the current (August 2024) Snakeskin, issue 320.

Illustration: The Fall of Troy by Johann Georg Trautmann (1713–1769)

Casual form: Lisa Marshall, ‘Lust’

Under the moonlight’s magical hold
Lust prowls like a wolf, hungry and bold

Slinking by with a wink of the eye
Slowly drawing me in on the sly

Into temptation’s cunning allure
Tainting even the purest of pure

Whispered confessions into the wind
Forgive me, Father, for I have sinned

*****

Editor’s comments: I’m classifying these lines as ‘casual form’: the meter is undisciplined by classical standards, but the beat is clear and the rhymes are straightforward. The verse is as natural to English as nursery rhymes, noted for their ease of memorisation without being classically regular. Look at the varying numbers of syllable per foot in the four lines of ‘Baa Baa Black Sheep’, for example. English speech is very forgiving regarding unstressed syllables, while still maintaining a rhythmic flow – as we know from rap. By that standard, adherence to beat and structured rhyme is adherence to form.

Lisa Marshall is a poet and author who resides in beautiful Dartmouth, Nova Scotia – also known as the City of Lakes.  She is the author of Black Olive: A Novel and Poetry for the Feminist’s Soul, both of which are available on Amazon Kindle. 
Read more at Not Another Nice Girl Blog.

Photo: from Lisa Marshall’s blog.