Tag Archives: Muhammad

Using form: Limericks: RHL, ‘Attitudes in the Holy Land’

Moses says God says: (Deuteronomy 20:16-18)

God’s ruthless. Just read Deuteronomy,
believers get zero autonomy:
“You must kill all non-Jews
in this land that I choose.”
Just back then? Or still now? (Love His bonhomie!)

Luke says Jesus says: (Luke 19:27)

Christ was often less peaceful than stormy,
with disciples both pushy and swarmy;
to the rest he made plain
if they’d not have him reign:
“Bring them hither and slay them before me.”

Muhammad says God says: (Qur’an 9:5)

“Polytheists, wherever you find them,
you should ambush and capture and bind them,
and only relax
if they pray and pay tax;
elsewise kill them, and in the dust grind them.”

*****

Given that Jews, Christians and Muslims all claim to be worshipping the same god, the only God, the God of Abraham, it’s somewhat surprising how much time they spend fighting each other. But then, factions within the same religion have been known to slaughter each other. It seems to be something inherent in religions, especially monotheistic ones – if you believe there is only one god, your god, then everyone else’s belief is blasphemy.

Somehow these tribal religions of preliterate herders have continued to the present. They are so illogical and – despite beautiful architecture etc – so frequently violent that the best response I can think of is the mockery of limericks and other forms of light verse. That, and mourning the dead children, and supporting efforts to impose peace.

These limericks were first published in The HyperTexts, Michael R. Burch’s enormous anthology which includes extensive poetry about both the Holocaust and the Nakba, the Palestinian Catastrophe.

Moses causes the Levites to kill the idolators” is marked with Public Domain Mark 1.0.

Sonnet: ‘The Poem’

Poems are merely words you can remember
word for word. Question: What makes them so?
Think of the earliest nursery rhymes you know,
held from child’s January to old December:
rhymes, rhythms, imagery—rich as meringues.
Then complicate discussion, don’t reduce
odd imagery, words foolish, strange, diffuse—
aim for rijsttafel with tongue-tingling tangs.
Use richness to engage the memory:
conflicting quotes from Bible, Shakespeare, Yeats,
with Bach-like sense of heaven’s opening gates
or hall of mirrors, or sun-scattering sea…
Mesmerized readers have to puzzle out
in memory mazes what it’s all about.

My firm belief is that poetic structures originate as nothing more than memory aids, so that a work can be recited word for word. This was invaluable in preliterate societies and was used for tribal histories and spiritual revelations (Muhammad was illiterate, and the most powerful passages of the Quran are in strongly rhythmical rhyme) as well as for lullabyes and love songs. But the use of our human love of rhythmic beat, and our enjoyment of rhyme and wordplay, have helped verse develop into elaborate, engaging, memorable forms, varying by culture because of the different opportunities of the different languages. Enjoy the diversity, and the complexity!

This sonnet, like ‘The Four Duties‘, has just been published in the Winter 2020 edition of The Orchards magazine of formal poetry.

Photo: “Indonesisch Rijstafel” by johl is licensed under CC BY 2.0