Humans, in any culture, seem naturally attracted to quests; often to more than one at a time, and contradictory. Maybe the universe is just a playground for questing…
The sun is always setting, always setting on your day; you sense the dark approaching, wish that it would stay away. Do you want a life unchanging? Wish to still be a newborn? Don’t you know life’s not a rosebud, but has root and leaf and thorn?
The sun is always setting and the black drapes are unfurled; but notice that the sun sets on your world, not on the world: it’s rolling into brightness in another’s happy land, and the dark is evanescent and the brightening is grand.
The sun is always setting on the dinosaurs, but birds are flocking into being, as are Serengeti herds; and the sun that lights humanity? Of course it’s going to set, and elsewhere light new tales of which we’ll just be a vignette.
The sun is always setting, but that view is just your choice; I say the world is turning and evolving; I rejoice.
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The winter solstice and the turning of the calendar drive a feeling of sunset that I can’t shake. I may be fit, still climbing trees and running on beaches, but at 74 there is both an awareness of gradual decline and a recognition that you can only hope for another 20 years with a fair amount of luck. “And of my three score years and ten, / None of them will come again…” as it were. That’s the personal bit.
Add to that the strongest country in (and quondam leader of) the world, breaking everything into pieces and throwing them all up in the air with no idea of how anything will land and what will be broken; taking all branches of the federal government (including unfortunately the Supreme Court) and those of half the states and just piling them up for a bonfire.
Add the possibility of runaway AI (such as concerns Harari) being jumpstarted by the Luciferic billionaire firestarter… and it feels like the End of the World.
But let’s be reasonable: it always feels like the end of the world, at least to those no longer in their youth. Because it is, for them. (For us. For me.) Jesus saying the end of the world would come within that generation… Last Days prophecies bubbling up in all religions… Preppers expecting nuclear war, ethnic uprising, climate catastrophe overnight… Doomsday is always imminent, and yet things keep going; just not as before… This is the End of the World as we know it, but will not be as we expected it. (And always the unfortunate eternal evils, regardless of era: Israelis committing genocide on Palestinians since the days of Deuteronomy, and so on.)
I swear there is a highly ambivalent poem in there somewhere, but I haven’t dug it out yet. But hey… Happy 2025!
Dog-skinny, winter’s mangy sun Slinks between clouds. A West Indian dog – there are none such here in the UK …. Nor, there, such mangy suns.
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Some people equate a good Christmas with a family walk in the snow, others with family time on a beach. It all depends on what you grow up with, doesn’t it? With my first twelve years being on islands with palm trees, it has remained difficult for me in my decades of climate exile to appreciate more than a month or two of bleaker weather at a time. ‘Home Thoughts from the North’ was originally published in Snakeskin – thanks, George Simmers!
Best wishes for an appropriately weathered Merry Christmas to all… and apologies to Eliza for subjecting her to non-Canadian winters for so many years!
I remember winter when it was only Mostly too cold to swim – The churning suck and drag of waves under the rock. Yes, there are flowers – there are always flowers – But, with the poinciana stripped of leaves, Its pods like forearms thinned and bent with age, The rattling of sticks, the hiss of wind, The broken sea stuck futilely on Wash With endless turning, churning, foaming pulse – How long can waves beat on a rock before The tired rock gives up?
Yes, I remember later northern winters – The bitter satisfaction of a too-thin sun, Beauty without the joy, light without heat. Feet always cold, clothes never quite enough; Skin drying back from fingernails, lips chapped, throat raw, The smell of damp coats, never fully dry.
I dream of alternating south and north And never having to be cold again, Turning, returning, always in the sun – Or settling in an equatorial land And swimming year-round, mellowing on the sand Flattening my temperature, my will, Soaking up sun, and dreaming I’m asleep.
Bitter it is, the winter argument, Betrayed by world that slices off the years, I have no love of winter, and I feel Trapped, and betrayer of true kids of mine – But look – they love it, so I’m further trapped, Bound to the year that crushes as it turns, And has become their home – are they then kids of mine? Ice – snow – the winding down of life and year.
And I’ve known other winters all too well – Where years of spring gave way to years of warmth, Blossoms to children sparkling in the light, The wonders of the world’s sharp sense delight; Then years of fruit, as independent seeds Form their own thoughts and follow darkening paths Falling away, on purpose shrivel up, And days grow shorter, moods swing soft and harsh Drizzle sets in for weeks, cold in the bones, Cold in the head, and colder in the heart – That’s how the years of endless winter start.
Bleakness to bleakness, blackness into black; Lives dry and crack, Sap gone from tree and house and bone. Who knew that emptiness could weigh so much? Give me the strength to last to Spring, or start my own.
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This poem is from decades ago, in one of those periods where life felt bleak. (But such seasons pass!) For a long time I was unsure of the poem because it always feels like sloppiness and cheating when my rants are low on rhythm and rhyme; but George Simmers liked it enough for inclusion in Snakeskin, and that’s more than good enough for me.
Sew, sew, sew your coat Gently down the seam; Threadily, threadily, threadily, threadily, Joseph wants a dream.
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A throwaway poem. For anyone unfamiliar with the references, it blends what is often sung as a round: Row, row, row your boat Gently down the stream; Merrily, merrily, merrily, merrily, Life is but a dream with the idea behind the Andrew Lloyd Webber / Tim Rice musical ‘Joseph and the Amazing Technicolour Dreamcoat‘.
The poem was published in Lighten Up Online (aka LUPO). Thanks, Jerome Betts!
I love you with that love floppy and large, As one of us a man – the other, dog; Involved, detached, our life’s a travelogue Of countrysides seen from a rented barge, “Travels With You” along some river’s marge, Failing at interspecies dialogue Till tries at talk are lost in night and fog, Drifting with batteries we can’t recharge.
Yet there’s no option but to travel on, Each varied day no different than before, Wondering if we’ll find some magic door Which, risking entry, gives communion; And if, by talking, love would be enhanced, Or if we’d then destroy all we have chanced.
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Sonnet originally published in Candelabrum in 2007.
Wrap it, unstrap it, and rip it and strip it, then pollard it, top it and limb it and lop it, and lift it and drop it and turn it and flop it.
Then roll it out, slice it thin, weave about, build it in, spatter with sparkles and sprinkle with glitter: you win!
*****
I started this poem in 2008 and abandoned it. Running across it a couple of months ago, I worked on it and sent it in to George Simmers who has just published it in this month’s Snakeskin. Keep your scraps – you may find a use for them in the future!
And by the way: December Snakeskin will be a book fair. Any poets who have published a book or pamphlet of verse over the past year are invited to contact George Simmers: editor@snakeskin.org.uk and if he thinks your book is suitable, he will ask you to send a sample poem, a short introduction and a link to where the book can be bought – and these will go online on December 1st – in time for Christmas shoppers.
I hope you will forgive me for having given you hope— Too late for youthful indiscretion, though I believed my story and felt young in it until the metal facts fell.
I’d still like to imagine some god would help, but that line looks broken like the water, the gas and electricity.
What we have is hours, and in them you should have the bread and fruit before they feed the rats. I am keeping the wine for myself. It is piss-poor, anyway, and I have far more to forget.
J.D. Smith, ‘Slant Psalm’
My right hand has never known cunning, yet I remember thee, O Jerusalem, not as others’ sacred city but capital and emblem of loss, origin of far wandering without prophecy of return.
My right hand has never known cunning. May I have, as recompense, forgetting.
Michael R. Burch, ‘Starting from Scratch with Ol’ Scratch’ for the Religious Right
Love, with a small, fatalistic sigh went to the ovens. Please don’t bother to cry. You could have saved her, but you were all tied up complaining about the Jews to Reichmeister Grupp.
Scratch that. You were born after World War II. You had something more important to do: while the children of the Nakba were perishing in Gaza with the complicity of your government, you had a noble cause (a religious tract against homosexual marriage and various things gods and evangelists disparage.)
Jesus will grok you? Ah, yes, I’m quite sure! Your intentions were noble and ineluctably pure. And what the hell does THE LORD care about Palestinians? Certainly, Christians were right about serfs, slaves and Indians. Scratch that. You’re one of the Devil’s minions.
Gail Foster, ‘On The Heights Above Jezreel’
War’s harvest then is of these bitter fruits Hot shards of shrapnel buried in the flesh Of children, olives ripped up from the roots The horrid cries that fly from the nephesh And blinded eyes. Who benefits from this? Warmongers, metal forgers, men who plan Whole cities while still smoking ruins hiss Black marketeers and strategists. Who can Sleep peacefully while others have to hide Their families beneath their mothers’ skirts And bury them before their tears have dried? When will this harvest of these bitter hurts Be over? On the heights above Jezreel The storm clouds gather. Over soon I feel
Martin McCarthy, ‘The Unkillables’
There’s no great reason here to sing, but still they sing and play once more … the filthy, ragged children of the poor, who shall, as always, inherit nothing.
There’s no beckoning paradise beyond these war-torn streets of dirt, where chalked slogans outline their hurt, and yet, the unkillables rejoice!
Robin Helweg-Larsen, ‘Photo of a Dead Palestinian’
Hard to describe blown-off-ness of a head: no head, neck, shoulder – only flopping flesh, unfinished ending of a smooth-limbed, fresh, strong, naked body on white-sheeted bed; a tangled, mangled churning; then, instead of the anticipated face (serene as marble statue, Christmas figurine) instead, disorganised meat, spilling red.
No face or brains or hair. We’re sick, confused. The torn-off torso seems to have the calm proportions of an adult – look again: the genitalia of a boy of ten. “Collateral damage” is the term that’s used. Beside the body, on the sheet, an arm.
Marcus Bales: Right-Wing Semite-Murderer’s Song
Netanyahu: I am the very model of a right-wing Semite-murderer, Since I’m a Semite, too, the thing cannot get much absurderer. My people were abused by every tribe and nationality, So I, instead of empathy, embraced provinciality. Because we were oppressed I’m now oppressing weaker other folks, It gives me cover that we’re killing our Semitic brother-folks. It isn’t ethnic cleansing if I swear that in my piety I’m killing and I’m maiming only folks of my variety.
Nazi Chorus: It isn’t ethnic cleansing if we swear that in our piety We’re killing and we’re maiming only folks of our variety. We’re killing and we’re maiming only folks of our varie- riety.
Netanyahu: The same way each religion has its zealots kill for true-ishness Islamic zealots have declared that they’ll erase all Jewishness, And we have trained our own to act with criminal lethality To counterbalance enemies of lethal criminality.
Nazi Chorus: And we have trained our own to act with criminal lethality To counterbalance enemies of lethal criminality. To counterbalance enemies of lethal criminali- nality.
Netanyahu: I play the left against the right. My politics are strenuous. I say “If you hate one Jew …” Well, the rest is disingenuous. That propaganda works so well is not much of a mystery By pointing out how badly Jews were treated throughout history. We’ve rarely had an easy time, with ghettos, rape, and slavery, Our holidays still celebrate the mass of unmarked gravery. But we survived because we had our own ulteriority — And now we’re in a place at last where I am the authority.
Nazi Chorus: But we survived because we had our own ulteriority, And now we’re in a place at last where we are the authority. And now we’re in a place at last where we are the authori- thority.
Netanyahu: The Stern Gang and the Irgun were the Hamas of their day and time They killed and maimed the British, and they justified dismaying crime, And now my brave Israeli right-wing zealots take that bow for theirs, And use exactly those excuses Hamas uses now for theirs.
Nazi Chorus: And now our brave Israeli right-wing zealots take that bow for theirs, Exactly with the same excuses Hamas uses now for theirs. Exactly with the same excuses Hamas uses now for now for theirs.
Netanyahu: When everyone is furious that everyone is furious, And injury is contemplating things yet more injurious; When money spent on arms and planning how to break the breakerage Could buy opponents whole, including buildings, stock, and acreage; When every group is cheering zealots’ grim religiosity And everyone is trembling with the fear of new atrocity, I stay in office by appealing to the prejudicial dumb — While filling my Swiss bank accounts just like Hamas officialdom.
Nazi Chorus: I stay in office by appealing to the prejudicial dumb — While filling my Swiss bank accounts just like Hamas officialdom. While filling my Swiss bank accounts just like Hamas official- licialdom.
Netanyahu: No policy’s absurd enough that mine is not absurderer. I am the very model of a right-wing Semite-murderer. It isn’t ethnic cleansing if I say that in my piety I’m killing and I’m maiming only folks of my variety.
Nazi Chorus: It isn’t ethnic cleansing if we say that in our piety We’re killing and we’re maiming only folks of our variety. We’re killing and we’re maiming only folks of our vari- variety.
Robin Helweg-Larsen, ‘Roots of Terrorism’
Step back a moment, and reflect: not saying that it’s good or right that chained, starved, beaten dogs would bite– but what did you expect?
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Michael R. Burch, ‘Starting from Scratch with Ol’ Scratch’, first published in The HyperTexts Martin McCarthy, ‘The Unkillables’, first published in The HyperTexts Robin Helweg-Larsen, ‘Photo of a Dead Palestinian’ and ‘Roots of Terrorism’ first published in The HyperTexts