Tag Archives: laziness

Weekend read: Cherokee myth: “Nursery Rhyme for Lazy Children” by Jennifer Reeser

They live at bottom of the deep
In ocean waters or in fresh.
They feed with greed on human flesh.
They kill the ones who oversleep.

You never will be fully grown.
They shoot with arrows while you dream,
Then drag you down like cod or bream,
But first replace you with a clone.

They leave it sleeping in your tent.
It has your eyes. It has your cheeks.
It wakes up early and it speaks.
The tribe won’t wonder where you went.

It does your chores and may amaze.
Like you, it plays and even thinks
But very soon, your double shrinks
And it will die in seven days.

Your people will not ever know.
You’ll never love. You’ll never marry.
Your twin’s the one that they will bury
For you’ve gone where the fish bones go.

But if you listen you will thrive:
Get out of bed and brush your hair.
The hunter’s coming. Be aware
Lest you be swallowed up, alive.

*****

Jennifer Reeser’s ‘Nursery Rhyme for Lazy Children’ was first published in New Verse Review. She cites the following Cherokee myth, ‘The Water Cannibals‘:

Besides the friendly Nûñnë’hï of the streams and mountains there is a race of cannibal spirits, who stay at the bottom of the deep rivers and live upon human flesh, especially that of little children. They come out just after daybreak and go about unseen from house to house until they find some one still asleep, when they shoot him with their invisible arrows and carry the dead body down under the water to feast upon it. That no one may know what has happened they leave in place of the body a shade or image of the dead man or little child, that wakes up and talks and goes about just as he did, but there is no life in it, and in seven days it withers and dies, and the people bury it and think they are burying their dead friend. It was a long time before the people found out about this, but now they always try to be awake at daylight and wake up the children, telling them “The hunters are among you.”

This is the way they first knew about the water cannibals: There was a man in Tïkwäli’tsï town who became sick and grew worse until the doctors said he could not live, and then his friends went away from the house and left him alone to die, They were not so kind to each other in the old times as they are now, because they were afraid of the witches that came to torment dying people.

He was alone several days, not able to rise from his bed, when one morning an old woman came in at the door. She looked just like the other women of the settlement, but he did not know her. She came over to the bed and said, “You are very sick and your friends seem to have left you. Come with me and I will make you well.” The man was so near death that he could not move, but now her words made him feel stronger at once, and he asked her where she wanted him to go. “We live close by; come with me and I will show you,” said the woman, so he got up from his bed and she led the way down to the water. When she came to the water she stepped in and he followed, and there was a road under the water, and another country there just like that above.

They went on until they came to a settlement with a great many houses, and women going about their work and children playing. They met a party of hunters coming in from a hunt, but instead of deer or bear quarters hanging from their shoulders they carried the bodies of dead men and children, and several of the bodies the man knew for those of his own friends in Tïkwäli’tsï. They came to a house and the woman said “This is where I live,” and took him in and fixed a bed for him and made him comfortable.

By this time he was very hungry, but the woman knew his thoughts and said, “We must get him something to eat. She took one of the bodies that the hunters had just brought in and cut off a slice to roast. The man was terribly frightened, but she read his thoughts again and said, “I see you can not eat our food.” Then she turned away from him and held her hands before her stomach–so–and when she turned around again she had them full of bread and beans such as he used to have at home.

So it was every day, until soon he was well and strong again. Then she told him he might go home now, but he must be sure not to speak to anyone for seven days, and if any of his friends should question him he must make signs as if his throat were sore and keep silent. She went with him along the same trail to the water’s edge, and the water closed over her and he went back alone to Tïkwäli’tsï. When he came there his friends were surprised, because they thought he had wandered off and died in the woods. They asked him where he had been, but he only pointed to his throat and said nothing, so they thought he was not yet well and let him alone until the seven days were past, when he began to talk again and told the whole story.

*****

Jennifer Reeser is the author of seven books of poetry. She is an author with Penguin Random House, London’s “Everyman’s Library” series, and Able Muse. Her poems, translations, essays and critical reviews have appeared internationally in POETRY, The Hudson Review, RATTLE, and elsewhere, with new work forthcoming in Nimrod from the University of Tulsa. She divides her time between her Gulf Coast estate and home on the Cherokee reservation in Indian Country, Oklahoma.

It’s too late to take up ‘sleeping in’ kid, time for school 🙂” by Brent Halstead is licensed under CC BY-NC 2.0.

Poem: RHL, ‘On Doing Nothing’

Here where the royal poinciana’s blaze
pales to haze in the full midday craze
of light on shallows stiller than you can see
and all time stops, worn out from timeless sun
in a land and season where nothing’s to be done,
futility stretching to eternity,
and nothing is, except for heat and light…
accept the heat and light, the dazzling green and blue,
do nothing: for there’s nothing here to do.
Although elsewhere the world’s a ruin of smoke—
democracy and leadership a joke—
I unapologetically sit out the war
(whether on virus, climate change, or rich v. poor),
I’m Swede or Swiss to their corrupted plight.
A fish, a coconut—I don’t need more.
And so I sit and think, and read, and write.

*****

I should probably write a little about this poem’s form (iambic pentameter and rhyme, and could have had more shape if I had put more effort into it) or inspiration or whatever… but that would be work, and who needs that?

Published this month along with two others in Shot Glass Journal, anyway… thanks, Mary-Jane Grandinetti!

Photo: “Lazy Afternoon” by cybertoad is licensed under CC BY-NC-ND 2.0.

Calling the Poem: 3. ‘Self-Belief’

Can you handle the wild poem? Can you tame the thing, or kill?
The certainty, uncertainty, of writing as a skill,
The being told to “find your voice”, the crawling like an ant
Across the skin of Literature, that giant, to implant
Some token of your individuality, some pin
To jab into the giant’s vast and ant-infested skin,
To make your mark by scrawling words, tattoos, to claim a win…
You can’t succeed alone against such odds!
But there are gods…

*****

This is the third poem in the ‘Calling the Poem’ chapbook sequence in Snakeskin. The question of self-belief can be difficult for any artist – given the thousands of years of recorded paintings, sculptures, poems, music, etc, how can you know that your tiny ant-like efforts will be enough to make a mark in the world? Can you hope to succeed? The choice might seem to be between the hubris of Yes and the defeatism of No – but you have a secret ally, if you pay attention: the Muse. If you are self-aware and mindful, if you stay alert for scraps from the unconscious, the dream-world including daydreams, if you are respectful enough to try to capture the little hints you are given, then the Muse (She, or He, or Them, Yourself, your unconscious, God or Gods or Angels, however you visualise this force and process) will provide you with insights and material you never knew you could access.

Your Muse is available to you… if you stop and listen, remain open and respectful of the unexpected. Again, the learning and the workloads imposed by others tend to act against this attitude. Take heart from T.S. Eliot: “a poet ought to know as much as will not encroach upon his necessary receptivity and necessary laziness.” That was not a flippant comment of his: it goes to the heart of learning to work with your Muse.

Photo: 8/17/09 Houston – Fire Ant Bite by stefan.klocek used under OpenVerse license