Tag Archives: poetry publishers

Resources, updated: 21 formal-only (or nearly so) magazines and presses

An email enquiry that I received about formal-only poetry magazines makes me think I should update my resources list with that focus.

Able Muse – US magazine and press; website is not always completely current
Asses of Parnassus – Canada: short, witty, formal poems, snarky is fine, hosted on Tumblr.
Blue Unicorn – US: print only; prefers formal but will take other work
Chained Muse – US: prefers classical themes. Dodgy political bias
Crab Orchard Review – US
Extreme Formal series of anthologies from Rhizome Press. US.
Grand Little Things – US: “Returning versification to verse”
Light – US: large biannual issue, also the home of weekly topical light verse
Lighten Up Online (LUPO) – UK: light formal verse, quarterly
Lyric – US: “Founded in 1921, The Lyric is the oldest magazine in North America in continuous publication devoted to traditional poetry.” Lyrical, positive… flowers and countryside.
New Verse Review – US
Poetry Porch – US: lyrical
Pulsebeat Poetry Journal – US
Road Not Taken: The Journal of Formal Poetry – US: hard to find online because of its name, but a good small publication for formal and semi-formal verse.
Snakeskin – UK: probably the longest-established poetry zine in the world; no longer 100% formal, but still a great favourite.
Sonnet Scroll – US: a sonnet-specialized alcove on the Poetry Porch
Sonneteer – US: substack emails
The HyperTexts (THT) – US: an enormous assemblage of verse from all times and places; the editor’s personal preference for formal and leftist verse doesn’t rule out selections by Walt Whitman or Ronald Reagan! The works are mostly republications, but if you have a body of strong work the editor may be interested in creating a page for you.
Think – US
Verse-Virtual – US: a monthly publication for a caring community of poets
and finally:
Wergle-Flomp Humor Poetry Contest, No Fee – US: $3,750 in prize money

Lyme Park, Cheshire – Formal garden” by reds on tour is licensed under CC BY-NC-ND 2.0.

Resources: Salt Publishing returns!

Begun in 1999 as a wide-ranging British literary publisher, Salt ran into difficulties with a declining market for poetry. In 2013 they posted in their blog that “after thirteen years and over 400 poetry collections, many by debut authors,” they were going to stop publishing poetry by individual poets and instead limit themselves to anthologies. For those who want to see how depressingly small the poetry market could be, here is a Guardian article on it and Salt from 2013.

By 2018 it looked as though Salt might be dissolving entirely, despite the wide praise and support they had from the literary community; and then came Covid and the halt to library and bookstore gatherings. Life got miserable for everyone (except, of course, Boris Johnson).

Happily, Salt hung on, focusing on fiction, and has now strengthened enough to once again be accepting submissions of poetry manuscripts. They may be very much a contemporary publisher, but can’t be completely averse to formal verse if their author list includes Christina Rossetti and Emily Brontë. From their Submissions page:

We are happy to consider full-length poetry collections by Welsh, Scottish, Irish or English poets of circa 64 pages. It will help if poets live in the British Isles to participate in publicity and promotion.
Please send your complete collection along with your magazine publication history and a biographical note.

Their blog even has a useful Guide to Poetry Submissions. Salt, distributed by Penguin Random House and with e-book distribution by Faber Factory, is a top-class independent publisher in the UK. It’s good to see them looking fully active again.