Tag Archives: submissions

Poetry Resources: Bewildering Stories

Bewildering Stories is a weekly magazine of sf and speculative fiction (mostly) and poetry (some), created and managed by Don Webb and half a dozen others. Because it does a Quarterly Review and an Annual Review of the editor’s choice, it produces about 47 issues a year of original material (or predominantly original – it allows previously published material). It is now coming up on issue number 800. I’ll leave it to you to figure out how long it has been in existence… for an online magazine, it is truly venerable.

I often have a poem in Bewildering Stories, and this week is no exception: “When at the End – Wishful Thinking“:

“When at the end of life we who by swords, axes, cleavers
go as heroes to Valhalla, the rest go to Hel.”

“When at the end of life we the true believers
go as saints to Heaven, the rest go to Hell.”

“Our memory is all that we are.
When at the end of life we are remembered,
we still exist for as long as our memory lasts.
Remember us! We are no more than memories of our pasts.”

When, at the end, the helmet of this life is lifted away,
the Virtual Reality of “human” fades to grey,
will you find yourself in a world fresh, rich and deep,
an environment more meaningful, truer, greater?
(And is it somewhere you go even now, in sleep?)
Surely behind the simulation must be a Simulator.

It accepts formal and informal verse, being more concerned with the speculative nature of the ideas than with an aesthetic preference. The poem above is pretty much a sonnet, though the scansion is uneven, the rhyme scheme unorthodox and the rhymes themselves iffy (beginning with rhyming Hel with Hell). So not a very aesthetic product, but full of speculation – which is the priority.

The editorial board is diverse, Don being based in Canada but drawing on others in the UK and US. Submissions of course can come from anywhere. And another nice thing that Don does is to include “Challenge questions” about a number of the pieces in each issue. The answers from readers are not typically shared, but it is a nice way of provoking more thought.

Altogether a worthwhile magazine for poets as well as fiction writers.

 

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Poetry Resources: The Lyric

As its website says, “Founded in 1921, The Lyric is the oldest magazine in North America in continuous publication devoted to traditional poetry.” It provided one of the only outlets for serious formal verse on the continent throughout the decades in which formal verse seemed otherwise limited to pop songs, advertising jingles and Burma-Shave roadside signs.

The Lyric poetry magazine

The Lyric Foundation, established in the early 1950s, provides financial support for the magazine as well as for the university education of young poets and care for older ones. The magazine is currently edited by the daughters of formalist poet Leslie Mellichamp – he edited it himself until his death in 2000.

The magazine suffers from being somewhat behind the times. It is hard to imagine that it gets the same richness of submissions as other outlets, when it is resolutely old-fashioned in management as well as themes. “Email submissions are only accepted from out of country.”  The tone of the printed work is consequently less varied and dynamic than other formalist and formal-friendly magazines. Even the Foundation that supports it is hard to learn about and, as far as I can tell, has no website.

However The Lyric remains a good resource for new poets, as well as more established ones, to place their work in if it falls within the lyric tradition. And with almost a century of publication behind it, there is hope that it will survive and thrive indefinitely.

Poetry Resources: Snakeskin

Probably the oldest continuously published poetry zine on the web – possibly the oldest literary zine of any type – is Snakeskin, published monthly by George Simmers since December 1995.

George Simmers

George Simmers, editor of Snakeskin

There are many unique aspects to Snakeskin, including in the archives:

  • the pervasive wit and humour, tolerantly secular, expressed in the zine’s name from the first issue with Wayne Carvosso’s poem “Credo” – “we are the kindred of the snake.”
  • a long interview of George conducted by Helena Nelson, entirely in iambic pentameter (for George is a skilled and fluent poet, though he rarely publishes in Snakeskin these days)
  • projects and experiments, including various hypertexts
  • and a standard feature for the past several years, Bruce Bentzman’s blog-like soliloquies, or essays – a very sensitive and deeply emotional journey.

But what is particularly nice for poets is that George has no interest in names, reputations or bios – he just reads the poems, and chooses what takes his fancy. Very few of the issues are themed in advance, but they may reflect his mood or the time of year or whatever, and end up with a mood of their own.

And, despite what the Credo states —

“Nor shall we sit to lunch with those
Who moralise in semi-prose.
A poem should be rich as cake,
Say the kindred of the snake” —

George takes any form or lack of form, so long as the piece works for him. This may reflect the tolerance of someone who had a career as a teacher; or it may reflect the Yorkshireman’s well-known preference for the practical over mere theory. In either case, it presents a wonderful opportunity for a new poet to break into publication in an internationally recognised magazine.

Read an issue or two – there’s something for everyone!

Call for Submissions: Careers, Families

The next titles in the Potcake Chapbooks series are tentatively named “Careers and Other Catastrophes” and “Families and Other Fiascoes”. This is a call for submissions to them.

Potcake Chapbooks

Poems should be in formal verse, from 2 to 24 lines in length preferred but up to 50 lines possible, witty, vivid, elegant, and previously published.  Contributors receive five copies, and a discounted rate on additional purchases.

By submitting you acknowledge you are the sole author and give us the right to publish your poem; you retain copyright. Please identify the place of prior publication so that we can acknowledge it. Simultaneous submissions are fine. The chapbooks are scheduled for publication in January/February 2019.

Email in a doc file to robinhelweglarsen -at- gmail.com