Category Archives: Chapbooks

Encouraging the Muse to visit

You may not be able to decide to write a poem, but there are a variety of things that you can do to increase the chance of being in a poem-writing state of mind.

Erato, Muse of Poetry, by Edward Poynter Toile

Erato, Muse of Poetry, by Sir Edward John Poynter 1870

The first, of course, is to read poetry. We are all influenced by what we are seeing and hearing. Our voices and accents shift towards those we’re talking with, the tunes we hum or whistle are influenced by what we’ve been listening to, and how we write is influenced by what we’ve been reading. Read poetry, especially rhymed and metered, and you’ll be more likely to find your unstructured thoughts expressing themselves in verse.

And that word “unstructured” is also one of the keys. Poetry can come from a chance phrase in your head, from a random rhyme opportunity that you run across that intrigues you for whatever reason, or from an unexpected image or similarity that carries an idea or a metaphor into your thoughts.

So the second thing you can do is, whenever some tiny fragment like this occurs to you, write it down! It is a gift to your conscious poetry-writing mind from your unconscious poetry-dreaming mind.

If it happens in a restaurant, write it down on anything you can take out. If it happens just when you’re going to sleep, sit up, get up, write it down. If it is only a phrase or an idea, write it down. If anything else occurs to you while writing, write it down too. If what you have seems structured, but some other unstructured thoughts are hovering around, write them down too. It doesn’t have to be perfect. You can always come back to it later. But if you don’t grab it when it appears, you are unlikely ever to find it again, or even to remember that there was ever anything there.

The third is to worship the Muse. Really? No, not really, but there’s no other simple way to describe it. There are forces in your subconscious of which you are unaware. They speak to you in dreams when something is really important. You have probably experienced the difference between what can be called “big dreams” and “little dreams”–messages from the unconscious mind, vs tidy-up-and-defrag dreams.

Somewhere inside your mind a creative engine is at work. You can ignore it, and then not only will you never write poetry, but you are likely to screw up your life. Or you can listen to it, let it sing to you, let it give you little gifts of wordplay or insight, and it will help you stay grounded in what is important. So writing down everything interesting that occurs to you out of the blue is a way of honouring that creative engine, that we can call your Muse. Be grateful to it. Accept that your unconscious may know things about you that you have no clue about, everything from how to keep your heart beating, to how to remember the name of someone from 20 years ago, to how to count time and wake you up at a certain time without an alarm clock. Poetry is the tiniest tip of the iceberg of all the unconscious mind can do. Honour it! And it will reward you.

You can find a guide to “Calling the Poem”–how to identify the poetic mood, how to encourage it, how to deal with it–in a chapbook of mine published by Snakeskin, and downloadable for free at http://www.snakeskinpoetry.co.uk/snake236.html

How to write the poem, when you’re in the right mood… More thoughts on that in the next post.

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Our First Chapbook: “Tourists and Cannibals”

The first chapbook in the Potcake Chapbooks series–“Tourists and Cannibals – poems on travel”–is now out, and available through Sampson Low’s page. It features 11 well-known formal poets (“formal” in the sense of structured rhyme and metre/meter). Spellings wander between British and American, as the poets are writing from half a dozen countries. The variety of voices is part of the charm of the series, from the flippant to the wistful to the analytic, writing in a wide variety of forms.

01 Tourists and Cannibals cover

Alban Low’s drawings capture the right tone!

These chapbooks are made from a single large sheet of high quality bond paper printed both sides in colour, folded four times, cut and stapled. This gives a 16-page booklet, with enough space for a dozen poems and some illustrations by Alban Low. As you can see by the title and the front cover above, the chapbooks are lighthearted.

The poems can’t be too long in a format like this, and lightheartedness is well served by rhythm and rhyme. The chapbooks are designed to be the sort of enjoyable, witty, interruptable collection that serves well on a journey or as a little gift at the price of a fancy greeting card.

But of course their true, insidious intent is to help with the reinvigoration of traditional verse within popular culture. Will this work? We’ll just have to see.