Tag Archives: Kelsay Books

Sonnet: ‘Where Are The Lightning Bolts’

Where are the lightning bolts of poetry?
The rolls of thunder and the shattered oaks?
Where, beyond anger, is the ecstasy?
There must be more than parodies, kitsch, jokes–
Elvis-on-velvet, kittens in a room,
jibes at the Lords, the House, the Holy See,
unmetered waffling on a flower in bloom…
Come now, tap Earth’s potential energy!

Our planet on which tens of millions die
from some war, ’flu, government famine, plague–
we pillage land and sea, yet learn to fly
while stories, music, art, reshape the vague
into sublime, emotional or vatic…
Humans can’t last – so be brief, be ecstatic!

Here we are, putting the chaos of 2020 behind us, moving optimistically into the forever-changed and forever-changing future. The storm gods appear to rule our lives: our ape cousins respond in their way, and we should respond to the bigger forces we feel with the wider range of creative outlets that we have–dance, poetry and ecstasy are all appropriate!

This sonnet was first published in The Orchards Poetry Journal, edited by Karen Kelsay Davies who also heads up the four imprints of Kelsay Books. Technically it’s a Shakespearean sonnet by the rhyme scheme, but there is no particular significance in that. Sonnets of all kinds share the compression to 14 lines, and the volta, the redirection of discussion after the halfway mark, and, typically, the sonorous rhetoric of the iambic pentameter. But the driving need of the argument and the near inevitability of the best words will tend to move the rhyme scheme into one form or another. It is better to say powerfully what the poem demands, rather than to weaken the words by trying to strengthen a preconceived rhyme scheme. As elsewhere, “Go with the flow” has a logic to it here.

Photo: “Lightning Bolt Over Atlantic Ocean from Jupiter Coast” by Captain Kimo is licensed under CC BY-NC-ND 2.0

Potcake Poet’s Choice: Jane Blanchard, “Transactions”

Erice, Jane Blanchard

Erice, Sicily

Transactions (in Sicilia)

The merchant was polite as I came in
on Monday afternoon to browse for wine,
but conversation happened only when
we spoke the common language of the vine.

A dozen bottles were selected, then
examined, labels studied, line by line,
at last set back into the proper bin,
except for one most likely to taste fine.

It did, so I returned to that same store
throughout the week and found the bill to be
a little less each time. I said no more
than grazie, smiling ever pleasantly.

By Saturday, I had a patron’s status,
awarding me a bar of chocolate gratis.

Jane Blanchard writes: “Transactions, first published in The Tau (2017), appears in my latest collection, In or Out of Season (2020). I am inordinately fond of reading and writing sonnets, perhaps because I studied so many of them while in graduate school. This particular sonnet is anecdotal; its speaker is my husband Jimmy, who accompanied me to Bread Loaf in Sicily in 2013 and wandered around Erice while I was in a workshop led by Stanley Plumly. Currently, it is hard not to feel nostalgic about such experiences.”

A native Virginian, Jane Blanchard lives and writes in Georgia, USA. She has earned degrees from Wake Forest and Rutgers Universities. Her collections to date have been published by Kelsay Books.