Tag Archives: geese

Sonnet: Susan McLean, ‘Day of the Dead’

As if the day took on her warmth and calm,
above the blazing maple trees extends
a sky serenely blue. While kin and friends
assemble, breezes gentle as a balm
flutter the tablecloths and vibrant vases
of cannas and zinnias. Do we still remember,
given our lively chat and smiling faces,
we’re picnicking in volatile November?

Above the tableful of photos flies
a vee of geese, still low, in close formation,
honking in concord as they carry on
their sociable long-distance conversation.
We pause to watch them as they slowly rise
and fade until, like Mother, they are gone.

*****

Susan McLean writes: “My mother did not want a funeral, so when she died, my siblings and I were trying to find a way to commemorate her in a celebration that her family and friends could attend. Though she died in late October, the weather in Maryland had been freakishly warm for that time of year, so we chose to hold a picnic at her favorite park. I had learned about the Hispanic tradition of celebrating the Day of the Dead from my colleague Lupe Solis, so I thought that holding the picnic on November 1, with photos, flowers, and my mother’s favorite foods, would be appealing. Fort Washington Park is right on the Potomac River, and just as we had finished setting the tables, a vee of geese flew over us, still very close to the ground. The moment felt surprising and symbolic as we all stopped to watch them depart.”

This sonnet was originally published on Ken Gordon’s Substack The Sonneteer.

Susan McLean has three books of poetry: The Best Disguise, The Whetstone Misses the Knife, and her latest, Daylight Losing Time (Able Muse, 2026). She had also published a book of translations of Martial, Selected Epigrams. Her poems have appeared in Light, Lighten Up Online, Crab Orchard Review, Able Muse, and elsewhere. She lives in Iowa City, Iowa.

Photo: Flying geese Jiaqian AirplaneFan Creative Commons Attribution 3.0

Sonnet: Beth Houston, ‘September’

When spring’s ghost joins me on the deck to watch
Gilt city lights click on across the bay,
Some downtown maid squeaks windows, wipes the splotch
Between us. Here, this quiet view. Soft clay
And pungent eucalyptus, thick with rain,
Exude their essence. Summer’s gloom unwinds,
A pane has shattered, and each rampant cane
Of luscious juicy blackberries reminds
My grief entwining August’s humid air.
A wedge of geese pries open autumn, herds
Fat purple clouds toward dusk above the glare
Of distant offices. Your murdered words
Of love on voicemail echo you were dead
Before you put that bullet through your head.

*****

Beth Houston writes: “Regarding the sonnet: This is one poem I’d prefer to let the reader chew on without me explaining anything. It does have some tricky time aspects…”

She adds: “I have announced the submission period for the next anthology on the Rhizome Press website. Included are updated guidelines and new emails for submissions and general mail (no longer gmail). Folks will have plenty of time to submit. I just hope I don’t get an avalanche at the last minute. But better loads of poems than not getting them. I’m eager for people to let their poet friends know. I’d love to get LOTS of submissions.

‘September’ was first published in Rat’s Ass Review.

Beth Houston (www.bethhouston.com) has taught writing (mostly creative writing) at ten universities and colleges in California and Florida and has worked as a writer and editor. She has published a couple hundred poems in dozens of literary journals. She writes free verse and formal poetry, mostly sonnets, and has published a novel, two nonfiction books, and six poetry books (out of print). She edits the Extreme formal poetry anthologies via one of her indie presses, Rhizome Press (www.rhizomepress.com).

Photo: “Formation” by Nature_Freak is licensed under CC BY-SA 2.0.

Sonnet: “From the Sudden Sun”

Life bioengineers its seamless rounds
with green leaves scarleting in fierce blue skies,
falling from sudden sun or winds that rise
with violin-sad sighing, dying, sounds.
Toddlers in pointlessly expensive clothes
with pregnant women breadily approach
some non-migrating geese which with reproach
lift in unfrantic flight to lake’s repose.
Despite such fertile life, the living leaves
blaze with the imminence of winter’s touch
and dead leaves blow beyond the groundsman’s clutch
in a wind chilled for one who disbelieves
that life entails the sudden cutting short
of your expression flowering in mid

Another of my existential sonnets, first published by Bewildering Stories (thanks, Don Webb). And, again, Don gave it a crisper title than my original “The Interplay of Life and Death in Fall”. I wrote this in Chapel Hill, North Carolina, watching the Canada geese at a small lake behind an upscale not-really-rural office building. Fall is, like every season, intensely evocative of human life.

I admit the ending involves a cheap trick–but leaving off the last word is designed to drive home the thought of mortality, and the missing rhyme is a perfect one… at least with an English accent, if not an American one…