Tag Archives: Lindsay McLeod

Lindsay McLeod, ‘Blind Date’

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It’s a roll of the dice
it’s the turn of a card
makes me feel Jesus Christ
it shouldn’t be this hard,

to find someone who’s nice
and attractive to me
but on this carousel
I’ve found only… let’s see
 
Trace was full blown racist
I suspected Venus had a penis,
Enid was a children’s author
ironic, Enid was the meanest,
 
dear Scarlet near insisted
we should hop straight into bed
but I resisted because her eyes
rolled round like marbles in her head
 
met Quasimodo by the tower
then there was Cerberus by the gate,
met Manson then met Alice
(Alice, she was running late)
 
mother Mary was still in mourning
she outlined all she chose to hate,
next came Tessie (that got messy)
who posted me her ‘target’ weight
 
nasty Stella the astrologer
could not believe that I’d refuse,
‘You must have Neptune late in retrograde.’
I told her, ‘That’s not it… it’s you.’
 
Some were happy, some were damaged
(and now I know that I am too),
some were easy, some were hard
some wanted things I couldn’t do.
 
So why put myself out there
why should I bother, even try?
 
I suppose it’s because,
initial hellos can be awkward
but it’s better than
living inside of goodbye.

*****

Lindsay McLeod writes: “‘Blind Date’ was my attempt to chronicle my search for love via the internet with a humorous spin. But I couldn’t bring myself to do it without some small warning of its darker side.”

‘Blind Date’ was first published in Rat’s Ass Review.

Lindsay McLeod lives down the Port in South Australia with his cattle dog, Mary. His writing has won awards and been published all over (in spite of rhyme and reason) and found homes most recently with THE HUMAN WRITERS, MENISCUS, EPHEMERAL ELEGIES, TIPTON POETRY, SNAKESKIN, PULSEBEAT and THE MARTELLO. Forced into early retirement, Lindsay is said to be considering a life of crime to support his poetry habit.

“Blind Date 2 with Ahmed the African American Attorney” by bbcworldservice is licensed under CC BY-NC 2.0.

Lindsay McLeod, ‘Fairytale’

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Sweetheart, let me tell ya
I don’t need a Cinderella,
no coach from lowly pumpkin
or fairy godmother will do,

Rapunzel’s hair from prison tower,
no magic lamp or ring of power
and I don’t agree it’s freedom
having nothing left to lose,

I know that I’m not much
but if you think that I’m enough
then we’ll be happy ever after,
writing our story me and you

we can steer clear of poisoned apples,
fight the dragons, choose our battles,
but sweetheart, what kind of a halfwit
goes out dancing in glass shoes?

*****

Lindsay McLeod writes: “I wrote this one years ago, for the sweetest person I’ve ever met, after promising that I would write her a poem every week. In the end they filled a book, writing just shy of a hundred for her.”

‘Fairytale’ was first published in Pulsebeat Poetry Journal.

Lindsay McLeod lives by the Port in South Australia where he is driven by his cattle dog, Mary. Lindsay’s most recently published work can be found in Rat’s Ass Review, Snakeskin, and Meniscus. Currently, he is said to be considering a life of crime to support his poetry habit.

“Cinderella Glass Slipper” by Tsts Sheng is licensed under CC BY-SA 2.0.

Lindsay McLeod, ‘The Swing’

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The black dog comes less to me lately
I fight the bait of the Siren’s barbed songs
I’ve tightened my belt to the hunger I’ve felt
scanned the sky for a place to belong.

But I’ve been to this point of the compass before
since we twitched off our vows and our rings
alone in the dark at one end of the arc
where that half-broken pendulum swings.

Still I’ve nothing left here to hold onto
afraid I’ll fall back to the place that I came
where I’ll take up my axe to the rainbow again
and bite deep into bright shining pain.

*****

Lindsay McLeod writes: “Fear not for my current mental health, as I wrote this 20 years ago.”

‘The Swing’ was originally published in Snakeskin.

Lindsay McLeod is an Australian writer who lives quietly on the coast of the great southern penal colony with (yet another ferocious Aussie animal) his cattle dog,  Mary. Lindsay still drives a forklift to support his poetry habit.

Image: “Feeding The Black Dog” by @mich.robinson is licensed under CC BY-NC-ND 2.0.

Lindsay McLeod, ‘She’

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She drinks a bit more
she loves a bit less
she no longer fits
in her wedding dress.

She’s given up trying,
accepted her fate,
feels herself thinning
while she stacks on the hate.

Doesn’t feel like his partner
his mate or his wife,
all she feels is as hard
and as sharp as a knife.

She reels her mind back
but can’t seem to recall,
what she ever saw in him,
why she married at all.

It’s a dead man’s float,
face down on the bed,
they sleep separate, unsound
in their queen sized dread.

So she’ll tread bitter water
as she has done for years,
not so much married to him
as she is to her fears.

*****

Lindsay McLeod writes: “‘She’ was written in my head, wearing ear protection in a factory. It was about my (then) partner who had recently escaped a toxic relationship.” The poem was originally published in Fine Flu.

Lindsay McLeod is an Australian writer who lives quietly on the coast of the great southern penal colony with (yet another ferocious Aussie animal) his cattle dog,  Mary. Lindsay still drives a forklift to support his poetry habit.

Photo: “fulla-ocell / leave-bird ( Every little thing she does is magic )” by Jordi@photos is licensed under CC BY-NC-SA 2.0.

Lindsay McLeod, ‘Harvest’

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There’s just so many nows in forever
if we’re apart or together as one,
we’d better cherish them all if we’re clever
make the most of our time in the sun,

‘coz it’s where we are led whether up or in bed
there’s one funeral we all must attend,
because somewhere ahead the sea kisses the sky
and the name of that place is the end.

*****

Lindsay McLeod writes: “‘Harvest’ was made as an end piece for the second book I wrote for my daughter.” It was originally published in Grand Little Things.

Lindsay McLeod currently lives by the sea on the Southern edge of the world, where he trips over the offing every morning. He has been published here and there in the past and won a few awards. He has started messing about with words again lately after a few necessary years away. You might expect him to know better by now, but oh no.

Photo: “Another Timor Sea sunset from Casuarina Beach, Darwin, NT, Australia” by Geoff Whalan is licensed under CC BY-NC-ND 2.0.

Lindsay McLeod, ‘Last Call’

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If this isn’t what you’ve yearned for
or indeed what you are craving
then cup your hands, drink deeply
of a sweeter misbehaving.

If you cannot find your wine inside
the glass that you were given,
taste the new with eyes and thighs
and dye your lips a deep vermillion

with a juice that has been pressed
from vines let grow out of control
that taste of summertime and
sex and drugs and rock and roll

because if you…

find distaste in your final breath
dressed in another’s ill fit clothes
remember, this did not just happen
sweetheart, this is what you chose.

*****

Lindsay McLeod is an Australian poet that has won a few things and is widely published. He just had to start messing about with words again lately. You’d think he’d know better by now, but oh no. Some of his most recent work can be found in DILLYDOUN REVIEW, GRAND LIL THINGS, DRAWN TO THE LIGHT, POETiCA and MORTAL MAGAZINE.

RHL: In addition to Mr McLeod’s self-description, let me add that I have been trying and failing to contact him. I don’t even have permission to post this poem. If anyone can put me in touch with him, I would be grateful.

Photo: “98/365: ♫ Red, Red Wine…” by rogersmj is licensed under CC BY-NC 2.0.