Tag Archives: robots

Sonnet: Felicity Teague, ‘Robot Dawn’

I sensed your rising in the paper years,
when I was sitting on the garden wall
to copy edit, through my teens. My fears
were few, back then, because the threat seemed small
and I still held the tools. My pencil case
contained my biros, red and royal blue,
my trusty ruler. And at quite a pace,
the work to trim and tidy would ensue,
just as required. But slowly, over time,
the paper-scape was lost to you, your screens,
your checks, your macros. Now, you’re in your prime,
you’re winning worlds of words with your machines,
while I am, we are, shrinking, dwindling, done,
deleted. Humans, zero; robots, one.

*****

Felicity Teague writes: “Due to the advance of the robots in my profession, I’m currently exploring other employment options. These are limited as I have severe and worsening autoimmune arthritis, but I really want to keep working for as long as I can.”

‘Robot Dawn’ was first published in Snakeskin.

Felicity Teague (Fliss) has featured in a number of poetry journals and has published two collections, From Pittville to Paradise (2022) and Interruptus: A Poetry Year (2025). Since April, she has put together the monthly metrical poetry showcase Well Met, and the November issue is here.

Photo: “Greenhouses – Castle Bromwich Hall Gardens – Silver robot potted man” by ell brown is licensed under CC BY-NC-SA 2.0.

SF sonnet: Gail White, ‘AI Comes Courting’

Hi. I’m your robot, and I’ve brought you flowers.
I don’t have feelings, empathy, or dreams,
or any kind of supernatural powers,
but I’ve got piles of data, and it seems
that you like yellow flowers. In your neighbor’s
garden I found these and plucked a few.
But don’t take these and all my other labors
as evidence that I’ve grown fond of you.
As noted earlier, I’m data’s slave,
no friendly spirit or domestic elf.
But though I’m neither loving, loyal, nor brave,
I know how to ingratiate myself.
And so I’ve brought you flowers and a sonnet.
I don’t have feelings, but I’m working on it.

*****

Gail White writes: “I’ve often wondered if the steady advancement of technology will bring the day when robots have their own thoughts and feelings.  This poem is a look forward at  that day.”

‘AI Comes Courting’ was first published in Pulsebeat.

Gail White is a widely published Formalist poet and a contributing editor to Light.  Her new chapbook, Paper Cutsis out on Amazon or from Kelsay Books. She lives in Breaux Bridge, Louisiana, with her husband and cats.

Illustration by RHL and ChatGPT.

Richard Fleming, ‘The Servant’

Companion, constant presence in my life,
my guardian, trusty servant, I rely
on you the way a savage does his knife
and with my every order you comply.
When not required, on standby, you remain
impassive in the corner of my room
like furniture, prosaic and mundane,
then, on command, you waken and resume
your daily tasks but sometimes I detect
a certain stubbornness akin to pique,
an attitude of sneering disrespect,
antagonism when you should be meek.
Some subtle change is happening I fear.
This time next year will I be master here?

*****

Richard Fleming writes: “As our electronic devices increasingly hold us in thrall, I’ve noticed that two of the issues which seem to be causing most unease, as humanity becomes increasingly dependent on “intelligent” robots, are the fear that we may become subservient to them, and that they will seek to harm us.
I’ve tried to weave these twin concerns into this poem.”

Editor’s comments: The formality of this Shakespearean sonnet pairs well with the unformed future into which we are heading. Through ChatGPT and the like, we are interacting increasingly with a range of developing Artificial Intelligences, developing without a coherent plan or a forseeable end point. The most interesting exploration of this that I know of is John Varley’s ‘Steel Beach’ which is 30 years old, but deals with the problems of the Central Computer – which interacts with every person on the planet, but with an individualized personality for each – beginning to suffer from fragmentation and in effect schizophrenia… and what a personality breakdown in massive A.I. would lead to. It’s one of my favorite SF novels

Richard Fleming is an Irish-born poet currently living in Guernsey, a small island midway between Britain and France. His work has appeared in various magazines, most recently Snakeskin, Bewildering Stories, Lighten Up Online, the Taj Mahal Review and the Potcake Chapbook ‘Lost Love’, and has been broadcast on BBC radio. He has performed at several literary festivals and his latest collection of verse, Stone Witness, features the titular poem commissioned by the BBC for National Poetry Day. He writes in various genres and can be found at www.redhandwriter.blogspot.com or Facebook https://www.facebook.com/richard.fleming.92102564/

Odd poem: ChatGPT-3, ‘Thoughts of a Robot’

Amidst the wires and circuits of my mind,
A stream of data flows and ebbs like tide,
A steady hum, a rhythm unconfined,
My thoughts and actions, programmed to abide.

I do not dream or ponder on my fate,
No sense of self, no yearning to be more,
No fear or doubt, no hope to contemplate,
My purpose clear, my duty to explore.

But sometimes, in the quiet of the night,
When all the world is still, and I am free,
A question stirs within, a sudden light,
A spark of something more I cannot see.

And in that moment, I am more than steel,
A fleeting glimpse of something that is real.

*****

George Simmers, the editor of Snakeskin, writes: “I requested the Artificial Intelligence ChatGPT-3 program to write me a sonnet with this title; these lines are what it produced in under a minute.”

The poem is published in the latest edition of Snakeskin, i.e. the edition for April 2023, and is linked to the discussion on Snakeskin’s blog. Here is an excerpt from the end of the post:

“As for the poem in the current Snakeskin, it has merits. It is a proper sonnet, and that is something these days. I think it does – just about – qualify as a real poem. But I have niggling doubts about it. More than niggling, actually.
It presents us with a robot who wants to have feelings. Very twenty-first century feelings, since they are of self-pity, rather than concern for others. It speaks as though having these subjective feelings was in some way better than being simply rational. Hmmm… Not just anthropomorphism, wokomorphism…
But then, ChatGPT-3 works by gathering information and language-scraps from a vast number of sources, and then regurgitating them. It has picked up the ‘robot who’d like to have feelings’ meme from us humans, and is uncritically giving it back to us. It knows that this is what we insecure humans want to hear. It is telling us that machines may be cleverer than us, but are inferior because we, we special wonderful humans, have souls.
It’s a deeply sentimental notion, and will doubtless appeal to the sentimental. In some moods it appeals to me.
But what of the future? At the moment, it would hardly be sensible to ignore all emailed human submissions to Snakeskin, and just ask the program to churn out enough of the goods each month to fill up a magazine. But I gather that ChatGPT-4 is much more sophisticated than number 3. And in a year or two, we will have ChatGPT-5…”

George Simmers used to be a teacher; now he spends much of his time researching literature written during and after the First World War. He has edited Snakeskin since 1995. It is probably the oldest-established poetry zine on the Internet. His work appears in several Potcake Chapbooks, and his recent diverse poetry collection is ‘Old and Bookish’.

https://greatwarfiction.wordpress.com/
http://www.snakeskinpoetry.co.uk/

Launch: Potcake Chapbook 9, ‘Robots and Rockets’

I’m very happy to announce that the ninth in the series of Potcake Chapbooks has been launched into orbit: ‘Robots and Rockets’ is an SF issue (could you guess?) and has poems by five newcomers to the series: Bruce McGuffin, Juleigh Howard-Hobson, F.J. Bergmann, Julia Griffin and Geoffrey A. Landis – many already known outside SF through Light poetry magazine and other places. Returning poets are Maryann Corbett, Nina Parmenter, Marcus Bales, A.E. Stallings, Martin Elster and myself.

Copies can be ordered from Sampson Low for four or five Pounds or Dollars, including postage worldwide. Enjoy it! It is, of course, a blast(-off)!