Tag Archives: darkness

Weekend read: SF poem: RHL, ‘The Uncertainty of Light’

On an asteroid
there was an alien artefact.
If such it was… a droid…
I’ve no idea, in fact.
Its metal (leg?) seemed (deployed?)
and so I touched it, but responses lacked.

Once there were women; once I was a man
(touching a leg then always brought response)
before the search for life and light began
to change me into this dark renaissance.
The teacup storms on which I’ve tossed,
when she or I have bitched and bossed
till all the loves I’d ever marked
were all the women that I’ve lost.
They chose the certainty of Dark
over the uncertainty of Light.

The joys of life are what’s uncertain:
hopes of what’s behind the curtain,
knowing the results will grate
of things that you anticipate,
knowing your life could be wrecked
by what you never could expect.
And though you think you’re circumspect,
you can’t deflect, inspect, collect.
Knowing the harvest is unknown
with crops that grew from deeds you’d sown,
while all your greatest hopes and dreams
will be exceeded by the future’s smallest gleams.

Because change never stops, you find what matters
is never really known.
You may get verbal assurance of your future status,
but was it “throne” or “thrown”?
The only certainty would be
if, offered immortality,
you feared what such an altered world would lose, would save,
and chose instead to go into the Dark
with furnace no less dark than the grave
wherein there lies no risk of further blight.
Most people choose the Certainty of Dark
over the Uncertainty of Light.

But we who strive to stay alive
long enough for rejuvenation
hope, hope only, we will thrive,
post-humans in a re-Creation,
unknowing what our ape-based genes
will do with power dominance,
with war, with sex, Earth mined and undermined,
but glad to take the chance.
How else can we see scenes
of how it all turns out — destroyed? refined? —
unless we scrape through, level up with wounds and scars
and watch a world we love and leave behind?
So at last I am here, between the stars,
transiting the darkness of the Void,
the empty galaxy’s apparent night,
chanting the mantra that keeps spirits buoyed:
Let there be Post-Humanity’s own light!

Between the spiral arms in the near-void
there’s still thin light of distant galaxy and star,
still specks of dust, rarely an asteroid.
Earth left (millennia in old Earth years ago),
I cross the dark immortally, beyond, afar,
through what is darkness only to Earth-eyes
which myriad wavelengths up and down can’t know,
but which I now apprize.
Light here abounds,
and boundlessly surrounds, astounds.

Take the smallness from slight,
take the bad from the blight,
take the fear out of flight
and you’re left with the light, the light, the light.
We stumble from dark caves of night
into day, trying not to tumble;
our parents the dark; post-humans the light;
ourselves just the stumble.

*****

This poem (published in this week’s Bewildering Stories) is a response to conversations in which people have expressed pessimism about the value of life extension, rejuvenation, cryonic preservation and resuscitation… anything beyond the certainties of a clear end to life after a normal lifespan. “How will you… why would you… what if they… you won’t understand… you won’t have…” Ah, but everyone who has immigrated into a foreign culture has done this: had to learn a new language in order to find a job and start making friends and find out how everything works. Some of us are comfortable doing this; some people aren’t. I’ll take the uncertainty, and enjoy its discomforts… because it’s just so interesting!

Photo: “Into the Light: The Future is Uncertain” by tenzin.peljor is licensed under CC BY-SA 2.0.

Short Poem: ‘Darkness’

I miss the dark.
Nights pitchblack as pitch in the seams of the planks of boats on a starlit sea
when you walk in a garden
with hands out in front in case you walk into a tree.
Moonless nights
where stars let you grope over rocks at the beach with blind eye –
and then the moon rises
like the sunlit reflecting rock that it is. Then you can see. Can see why.
Why I miss the dark.

*****

This poem was originally published in Snakeskin. It seems to have a structure, i.e. it isn’t completely formless. Perhaps it needs more work. But it’s very much like the rural moonless nights where I was brought up, and where I have returned. I stumble around happily in many aspects of life.

A Forest / At Night (The Cure photographic cover)” by Max Sat is licensed under CC BY-NC-ND 2.0.

Poem: ‘God is Two Brothers’

God is two brothers, one dark and one light,
Riding out Time in a tiny ship;
Half day and half night gives little room;
God knows that a rose, red rose or white,
Is a rose is a rose is a bud is a bloom
Is brown blown petals and a drying hip;
And the length of Time’s budding, blowing park
Walk the arm-linked arguers, Light and Dark.

I wrote this poem in Morocco in my 20s, after an encounter with some of the herbs they grow there. As an aside, I don’t necessarily believe or subscribe to the things I write in my poems – they are just expressions of thoughts, moods, landscapes, overheard conversations or whatever. That said, I still like this poem: I find it simultaneously all-embracing and meaningless, and that’s OK. Apparently my recital of it, while pulling dying petals off a rose bush, captivated a young lady at the beginning of our friendship… and we’ve now been together for 31 years.

The poem was first published by Ryerson Free Press.

Photo: God and devil.jpg by Yumeshan Lakshitha is licensed under Creative Commons Attribution-Share Alike 4.0 International

Poem: “The Knife of Night”

Dark Woods

“Dark Trees” by MonoStep

The knife of night
Spreads swirls of black and white
Over the slice of here.

The taste is bold:
A pinch of cold,
Spiced with primeval fear.

This little poem was first published in Candelabrum, a British print magazine that ran twice yearly from 1970 for some 40 years. Its editor, Leonard McCarthy, was a lone voice dedicated to keeping traditional poetic sensibilities of metrical and rhymed
verse alive.

The poem itself came from a nighttime ramble in the forests that cut through the residential areas of Chapel Hill, North Carolina. Hundreds of acres in town are undevelopable because of steep slopes, creeks and ravines. Where the night woods are unlit except by moon and stars, there are deer, possums, foxes, flying squirrels, owls… copperheads… poison ivy… The night is beautiful, but you can’t help moving through its darkness in a different state of being, compared with daylight.