A poem is so obdurate and small
Compared to what you wanted it to say
And sometimes isn’t even close at all.
For instance, this. I’ve worked on it all day,
A metaphor for all of love’s affairs.
I failed to ride the energy it gave,
My form and balance gone. Nothing prepares
You for the wildness of the standing wave.
Possessing and possessed and then propelled
Abruptly past the point of no control
To merely peril, having once beheld
The moving stillness of it all, all whole.
Your head’s what every poem wants to split,
While you stroke hard to stay ahead of it.
*****
Marcus Bales writes: “My online pal, the poet Liam Guilar, was a kayak adventurer, sneaking across borders to paddle the most dangerous rivers in the world. I went white water rafting once. You’re stuck in cold, wet, awkward positions that often turn suddenly painful. Why people do it over and over seems not just unreasonable but cold, wet, and painful. There are exhilarating moments, but you’re still cold, wet, and out of control. I could feel in my one experience that the out of controlness might be the point. Still, it was wet and cold. Very wet. Very cold.
“The confluence of Liam’s many tales, my paltry experience, and he and I both struggling to write poems is the impetus for this poem. I’ve often thought that maybe what it needs is a bucket of ice water suspended over the reader like a, well, like a bucket of Damocles, that sloshes over the head and down the back of the neck in order to make it work.”
Not much is known about Marcus Bales except that he lives and works in Cleveland, Ohio, and that his work has not been published in Poetry or The New Yorker. However his ‘51 Poems‘ is available from Amazon. He has been published in several of the Potcake Chapbooks (‘Form in Formless Times’).
Photo: “Kayaking through the white waters of the Gorge” by Grand River Conservation Authority is licensed under CC BY-NC-ND 2.0.
Form in Formless Times 