Tag Archives: childhood

Potcake Poet’s Choice: Kathryn Jacobs, ‘The Innocent’

They trust us, and they shouldn’t: butterflies
and earnestly pursuing preschoolers
careen among us, prone to accidents,
disasters in the making. Both of them

incapable of short-cuts, see-sawing
oblivious among the negligent,
convinced that we know best, who disregard
how short their legs and lives are.

Some of them
(the lucky and unswatted) mobilize
their stubby forces to stay out of reach,

But most of them launch headlong, more afraid
of being left behind or swallowed, than

of damaged wings and feelings, wedged against
rude curb-stops or cupped hands –

Kathryn Jacobs writes: “I am choosing The Innocent because it reminds me of what I’ve lost: of my son Raymond in particular (though he is not in the poem overtly). Ray died at 18. I am sending a photo of Ray with his twin: it’s a photo that reminds me of more Innocent days.”

Kathryn Jacobs is a professor at Texas A&M-C and editor of The Road Not Taken. Her fifth book of poetry (Wedged Elephant) appeared in Kelsay Books. Her poems have appeared in Measure, The New Formalist, Southern Poetry Anthology, Mezzo Cammin, etc. Currently she is working on a book of Dan.
http://journalformalpoetry.com/

Potcake Poet’s Choice: Max Gutmann, “Onset”

Max Gutmann

Max Gutmann

ONSET

Remember with my sitting parents I
at napkins red with cloth a table high
things struggling out to figure how these thin
(which home I knew at bags came plastic in)
potatoes were, and hamburger my how
to a connection have could any cow.

Twist change and blithely we our world: we light
and pave like soft, good day the earth, the night.
We wonder so that find what easy it
twist well ourselves as to? We still can sit
for desks behind long money hours for bland
and nation hate on any can command.

Hard shapes for make can strange it us our new
recall in shapes the which we born were to.

Max Gutmann writes: “Onset is probably my most unusual poem, and it tends to inspire strong reactions. In an online competition, it was the favorite of the host, a well-published poet I respect, who commented that she could see it becoming widely anthologized, and it came close to being the readers’ top choice. At the same time, it got far and away the greatest number of negative comments, some of them pretty strong. That combination of reactions is something I’ve been proud of ever since.

The host’s anthology prediction hasn’t come to pass, but Onset is, at long last, forthcoming–in Raintown Review.”

Under the pseudonym Noam D. Plum, Max Gutmann has published in The Spectator, The Country Mouse, Light Quarterly, and elsewhere including, of course, in the Potcake Chapbook Wordplayful. Having won two $500 prizes, as well as some smaller ones, Noam is a more successful breadwinner than the man for whom he fronts.

Given the mental gymnastic similarities between Noam’s Preopr Splelnig and Max’s Onset, however, I think it is reasonable to treat the poets as the same writer… You can see more of his work at https://www.maxgutmann.com/