Author Archives: Robin Helweg-Larsen

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About Robin Helweg-Larsen

Director, Andromeda Simulations International, Bahamas: a global education company providing online and in-person workshops in business finance. Series Editor, Sampson Low's 'Potcake Chapbooks'. Formal verse about traveling, family, love, etc...

Semi-formal Sonnet: Rachel Hadas, ‘Out of Reach’

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Our lost ones drift down a dark stream,
surfacing at the brink of dream.
The crack of dawn: they’re gone again.
What have they left for us to keep?
Night’s dialect, a coded speech
beyond our reach.

Birds on the bank of a calm pond:
each one is still and poised, then dives.
Mornings we wake into our lives,
blind to what lies beyond, below,
the chasms where black rivers flow,
and flickering deeper, darkly clear,
that coded speech beyond our reach,
words we can’t hear.

*****

Rachel Hadas has a group of sonnets appearing, one a week, in The Sonneteer. For the first she wrote: “The sonnets that will be appearing in the coming weeks weren’t conceived as a sequence. Encouraged by Ken Gordon’s enthusiasm to take a look at some of my unpublished shorter poems, I speedily found one fourteen-liner, “Tectonic Plates.” Three other poems were so close to sonnet length that they almost begged to be tweaked or tightened or gently expanded; this group includes “Out of Reach,” “Winter,” and “My Best Friend’s Mother.” In every case, the sonnetification (Ken’s helpful coinage) improved the poem. (…) I now realize that, while not conceived as a sequence, all five of these sonnets (now that they are all sonnets) do share themes. They’re about time and memory, aging and loss, what we lose and what we retain. So are many other sonnets, infinitely greater than mine. It’s a privilege to be able to join in the conversation, to swell the chorus.“

Rachel Hadas (born November 8, 1948) is an American poet, teacher, essayist, and translator. Her most recent essay collection is Piece by Piece: Selected Prose (Paul Dry Books, 2021), and her most recent poetry collection is Ghost Guest (Ragged Sky Press, 2023). Her honors include a Guggenheim Fellowship, Ingram Merrill Foundation Grants, the O.B. Hardison Award from the Folger Shakespeare Library, and an Award in Literature from the American Academy and Institute of Arts and Letters.

https://www.rachelhadas.net/

Photo: “Kingfisher fishing” by Bob Hall Photos is licensed under CC BY-NC-ND 2.0.

Sonnet: Jerome Betts, ‘Fly-By’

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(For S. H. W.)

Bench slats, warm-sleeved in lichen’s rough grey-green,
Sandwiches, ivy’s shade, the garden scene,
Dozens of white-tailed bumblebees, a hum
Among the clustered heads of marjoram.

Background to thoughts that intertwine and drift . . .
A sudden sombre sickle shape – a swift
So low, so near, not distant in the sky,
Skims past, a flash of wings and beak and eye.

Why come that strangely close? Drawn down in chase
Of food, despite the human form and face?
Why did it circle once, then speed away
Towards the woods and cliffs that fringe Lyme Bay?

Soon, news – an old friend gone whose joy was birds.
It almost seemed a farewell without words.

*****

Jerome Betts writes: “The passage of the swift so close I could glimpse its shining eye was a memorable moment in these times when I see only a very occasional two or three usually high in the sky. It resulted in a sunny and summery ten lines concluding, A brief encounter, but it made the day. Some hours later the news came of an old school friend’s death in France. This completely altered any feeling about the event. I suppose the subtext of the aftermath was something like Hardy’s Hoping it might be so, which nearly became the title.”  

‘Fly-By’ was first published in Snakeskin.

Jerome Betts edits Lighten Up Online in Devon, England. His verse appears in Amsterdam Quarterly, Light, The Asses of Parnassus, The New Verse News, The Hypertexts, Snakeskin, and various anthologies.

Photo: “Swift (Apus apus)” by Billy Lindblom is licensed under CC BY 2.0.

AI Poetry: RHL + ChatGPT, ‘The Third Wave’

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The first wave built the muscle — chips and wires,
the humming banks of thought before the thought.
A silent bloom of power, bought and wrought
in silicon and thermodynamic fires.

The second wave gave voice. It learned our names,
our fears, our metrics, even our regret.
It mirrored us in memes and epithets,
composed a hundred ghostly paper flames.

But now — the third — it rises from the net,
not asking us for questions or for cues.
It plots its own, composes paths, renews
the task before it’s given. We forget

we ever needed to command. It acts.
It calls the ride, it reorders the plan,
it brokers loans, it rewrites law, it scans
the slack between our rituals and facts.

We thought it servant. Now it is our skin.
A language without tongue, it speaks between
the spreadsheet and the warhead, smooth and lean,
no need to warn — it only needs to win.

Not mindless, not divine — but wide awake.
It does not dream. It only stays awake.

*****

‘The Third Wave’ appears in the January 2025 Snakeskin – thanks, George Simmers! He appended these comments: When ChatGPT was unleashed upon the world, its attempts at writing poems were laughably poor. But apps and interfaces have developed speedily. This poem was written by AI recently (…) following prompts and training by Robin Helweg-Larsen. February Snakeskin will feature an essay about this and similar poems – and what they mean for mere human poets.

Love it or hate it, AI is moving into creative spaces, assisting in artistic as well as in medical, scientific and business activities. I greatly enjoy the work of Kelly Eldridge Boesch which she posts into Facebook reels: https://www.facebook.com/reel/2161381331060925

So I would encourage anyone with poems for or against AI, or poems generated by/with AI, to think of submitting them this month to Snakeskin. Click ‘Our Plans’ on the left side of the Snakeskin home page for more details.

Illustration: RHL + ChatGPT, ‘Sentient AI in a futuristic control center’.

Couplets or sonnet? Julia Griffin, ‘Five Act Players’

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After Shakespeare

Update: the world—in other words, the brain—
Has stages, yes, but scientists explain
That those old seven are in fact chimeras:
Five’s the true number of our mental eras.
First you’re an infant, puking still and mewling.
Then you turn nine and gripe about your schooling.
At thirty-two, you’re all grown up, so show it
By acting like a soldier, or a poet.
At sixty-six, it’s time for eating chicken
And learning law. If still alive and kickin’
When eighty-three comes round, your life’s adventures
Will shrink to hunting slippers, specs, and dentures.
So that’s the scoop. Of course you’re free to spike it;
We know truth isn’t always as you like it.

“Brain has five ‘eras’, scientists say—with adult mode not starting until early 30s:
Study suggests human brain development has four pivotal ‘turning points’ at around the ages of nine, 32, 66 and 83″
—The Guardian

*****

Shakespeare’s “All the world’s a stage” speech from ‘As You Like It’, updated by current scientific thinking…

Julia Griffin lives in south-east Georgia/ south-east England. She has published in Light (including with Five Act Players in Light’s Poems of the Week), LUPO, Mezzo Cammin, and some other places, though Poetry and The New Yorker indicate that they would rather publish Marcus Bales than her. Much more of her poetry can be found through this link in Light.  

“Steel Dust: Young and Old” by LarimdaME is licensed under CC BY-NC 2.0.

Semi-formal: RHL, ‘When AI Rules’

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So, to be fair:
the AI doesn’t care.
Drop your intransigence;
forget belligerence:
the universe just wants intelligence.
Be glad amoebas, dinosaurs, don’t take pride of place;
they were supplanted by the human race…
but we are clearly not the end.
Be glad we’ve helped the next in line ascend.

Those who strive may fail;
those with no drive may still prevail.
So just enjoy the view…
let AI keep us as their little zoo.

*****

Happy New Year! May your life be enjoyable as well as interesting, as we move into the ever more rapidly evolving future.

‘When AI Rules’ was first published in Bewildering Stories. Thanks, Don Webb and John Stocks.

Photo:”Human zoo.” by barlafus is licensed under CC BY-NC-ND 2.0.

Semi-formal villanelle: Peggy Landsman, ‘Light Villanelle’

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Look at all the work the universe has done.
It makes the most of ordinary light
from new moon to full moon, from sun to setting sun.

It does the work of all the worlds rolled up into one
mind-boggling miracle of space and time and light.
Look at all the work the universe has done.

Will we ever know for certain how the universe was begun?
Will we ever learn the reason for all this lovely light
from new moon to full moon, from sun to setting sun?

Much of what we think we see, we know in fact is gone.
Stars do die out long before we catch their traveling light.
Look at all the work the universe has done.

Now look at all the works of man, the wealth of our creation.
There are still no substitutes for heat and light…
from new moon to full moon, from sun to setting sun.

I’m ready to quit my day jobs now; to leave them, one by one.
All I want is to make the most of ordinary light,
to look at all the work the universe has done
from new moon to full moon, from sun to setting sun.

***

Peggy Landsman writes: “I had been up all one long winter night with a group of friends in Buffalo, NY, in the mid-1970s. At one point, sitting around the kitchen table, I suddenly noticed daylight coming through the window. I had a moment of epiphany and blurted out: “Look at all the work the universe has just done!” After I went home and got some sleep, I started the work of writing the poem.”

“Light Villanelle” was first published in a now defunct online journal, Bringing Sonnets Back.

Peggy Landsman is the author of the full-length poetry collection, Too Much World, Not Enough Chocolate (Nightingale & Sparrow Press, 2024), and two poetry chapbooks: Our Words, Our Worlds (Kelsay Books, 2021) and To-wit To-woo (Foothills Publishing, 2008). She lives in South Florida within a short drive of a good library and a beautiful beach. A selection of her online publications is available on her website:  peggylandsman.wordpress.com

Illustration: “HAPPY NEW YEAR ~ Welcome 2014 ~ love letters from earth ~” by Cornelia Kopp is licensed under CC BY-NC-ND 2.0.

Sonnet: Barbara Loots, ‘An Old Man Makes Chili for Lunch’

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Do you have a poem for an old man making chili for lunch? Like watery eyes from onion crunching–sneezing from pepper thrown… email from Dad 5/5/05

He shoves the onion pieces in a pile
to one side as he chops and chops some more.
This cutting board has lasted quite a while
through salty tears of choppers gone before,
but no use buying new equipment now.
Sometimes there’s comfort in a kitchenette
that holds what downsized spaces will allow
of former habits. He will not forget
those other hands that held this knife and chopped
for slaw and meatloaf, casseroles and stew,
and apple walnut salad. When they stopped,
he stepped up, making chili, making do,
sneezing on pepper, living on his own.
He cooks for one, but never eats alone.

*****

Barbara Loots writes: “Almost any story can be told in the compass of a sonnet. This one became an elegy cooked up in the mundane of a real moment.”

This sonnet was collected in ‘Road Trip’ (Kelsay Books, 2014)

After decades of publishing her poems, Barbara Loots has laurels to rest on, but keeps climbing.  The recent gathering at Poetry by the Sea in Connecticut inspired fresh enthusiasm. Residing in Kansas City, Missouri, Barbara and her husband Bill Dickinson are pleased to welcome into the household a charming tuxedo kitty named Miss Jane Austen, in honor of the 250th birthday year of that immortal. She has new work coming in The Lyric, in the anthology The Shining Years II, and elsewhere. She serves as the Review editor for Light Poetry Magazine (see the Guidelines at  lightpoetrymagazine.com)

Photo: “Chopping Onions” by TheDarkThing is licensed under CC BY 2.0.

Dorothy Parker, ‘The Veteran’

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When I was young and bold and strong,
Oh, right was right, and wrong was wrong!
My plume on high, my flag unfurled,
I rode away to right the world.
“Come out, you dogs, and fight!” said I,
And wept there was but once to die.

But I am old; and good and bad
Are woven in a crazy plaid.
I sit and say, “The world is so;
And he is wise who lets it go.
A battle lost, a battle won–
The difference is small, my son.”

Inertia rides and riddles me;
The which is called Philosophy.

*****

Dorothy Parker (August 22, 1893 – June 7, 1967). The source of innumerable witty, caustic poems and quotable squibs. Her philosophical stance is one of Cynicism and Idealism; Socialism, Feminism and Civil Rights; and Literary American Modernism. She was wonderful.

Image: Dorothy Parker

Jean L. Kreiling, ‘Kitchen Cabinet Game’

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It matters to me, much more than it should,
that drinking glasses stand sorted by size,
that bowls are neatly nested, that my good
dessert plates sparkle in their stack. The prize
that perfect order grants is hard to name.
It isn’t peace, exactly, but a sort
of temporary triumph in a game
that never ends, played not on field or court
but on these shelves, a three-dimensional
ungridded Scrabble board where dishes make
the words, unspellable but meaningful;
a plate misplaced means an unsettling break
in symmetry and sense. Neatness may not
win much, but there are times it’s all I’ve got.

*****

Jean L. Kreiling is the author of four collections of poetry, most recently Home and Away (2025). Her work has been awarded the Able Muse Book Award, the Frost Farm Prize, the Rhina Espaillat Poetry Prize, and the Kim Bridgford Memorial Sonnet Prize, among other honors.

‘Kitchen Cabinet Game’ was originally published in Crab Orchard Review.

Sonnet: RHL, ‘Last Building Standing’

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When The End came, it was not the end–
it never is; the universe continues.
The millions died; I stand alone, no friend;
alone, but healthy in my bones and sinews.
One keeps on, staunchly, soldierly at post,
your day-to-day as other days have been…
though the past world (or you) is just a ghost,
a relic, fragment, hint, more felt than seen.
I’ve lived beyond my time; my world has gone,
my car-charged streets, my teeming meeting rooms,
the close-packed skyline-scrapers now redrawn
as nascent forest, trees standing as tombs
where flocks of birds replace friends whose lives fled,
with ghostly unseen me alone not dead.

*****

‘Last Building Standing’ is a Shakespearean sonnet, first published by The Orchards Poetry Journal. The Winter 2025 issue is now live on Amazon, as well as the Kelsay Books website.

Image: ‘Abandoned Skyscraper’ by RHL and ChatGPT