Category Archives: Poems

Short poem: ‘Poetic Tours de Force’

We aim to sing
Boldly as the brave acrobat on his thin string
Across the air.
But yet, no matter how we juggle words and dare,
And think ourselves stupendous,
We’re risking nothing… we’re no Flying Wallendas.

*****

The Seven-Person Pyramid, the creation of Karl Wallenda, cost a couple of the acrobats their lives in 1962. https://www.heraldtribune.com/story/news/2012/06/10/wallendas-history-one-of-greatness-and-tragedy/29102856007/ Poetry may also try for spectacular effects, but without the inherent dangers of the highwire. Poets are more likely to risk their lives through their livers than anything else.

This short poem was just published in Lighten Up Online (thanks, Jerome Betts!)

J.D. Smith, ‘Consultative’

The noted scholars of the institute
Are tasked with framing issues and debate.
Through data and the values they impute
By proxy–or assume—they correlate

The wealth of nations and their policies,
Distinguishing phenomenon and cause
Until equations cut through fallacies,
Assuming over time the air of laws.

Accordingly, with every factor weighed,
The State will be apprised of how to spend.
In high demand, proportionately paid,
Those who’ve advanced their field approach day’s end

With puzzles yet to solve, but satisfied,
And step around the beggars stretched outside.

*****

J.D. Smith writes: “The poem arises from the daily–and uneasy–contrast between ‘Washington’, the arena of politics and policy that draws players from around the world, and ‘DC’, the place that most residents know, with all the attendant problems of urban life in the United States. (I work in the former, though in a minor capacity, and live in the latter.) A complex society needs experts, so I won’t get on the bandwagon of anti-intellectualism, but I remain deeply troubled by the disconnect between many of those experts’ abstract work, accompanied by ambition, and how they address or refuse to address the actual human beings they encounter.”

J.D. Smith has published six books of poetry, most recently the light verse collection Catalogs for Food Loversand he has received a Fellowship in Poetry from the United States National Endowment for the Arts. Smith’s first fiction collection, Transit, will be published in December 2022. His other books include the essay collection Dowsing and Science. Smith works in Washington, DC, where he lives with his wife Paula Van Lare and their rescue animals. Twitter: @Smitroverse

Separated at Berth” by Chicago Man is licensed under CC BY-NC 2.0.

Short poem: ‘Death Spiral’

We spiral round the sun, like water
spirals round a drain;
herded like sheep to the slaughter,
it’s an old refrain–
what you coulda, what you oughta…
so few years remain.

*****

This short poem was recently published in The Asses of Parnassus – thanks, Brooke Clark! Btw sorry if the poem seems morbid – fall/winter has always made me reflective; I’ve been feeling time running out since my teens.

File:Pool drain vortex as viewed from above the water at Grange Park wading pool.jpg” by Glogger at English Wikipedia is licensed under CC BY-SA 3.0.

Susan McLean, ‘Out-of-Town Conference Texts’

He:      Met with a colleague for cocktails.  Last night is a blur.
            Having a wonderful time.  Wish you were her.

She:     I’ve been tidying up and arranging while you’ve been gone.
            When you want to retrieve your things, they’re out on the lawn.

*****

These two couplets by Susan McLean were recently published in The Asses of Parnassus; she comments: “I got the idea for this poem by misreading a line in a poem by Amit Majmudar.  It is not the first time I have gotten an idea for a line by misreading or mishearing something: aging has its unforeseen benefits.  The line was the standard phrase from postcards, “Wish you were here,” which I misread as “wish you were her.”  I immediately saw the comic potential of that phrase, and at first I thought of the exchange as written on postcards. But then I realized that conferences are often short, making sending a postcard impractical, and that no one tends to send postcards anymore.  So I reconceived the poem as texts–which also have to leave a lot unsaid because of their length.  I left open the question of whether “her” was an accidental typo or a deliberate choice.”

Susan McLean has two books of poetry, The Best Disguise and The Whetstone Misses the Knife, and one book of translations of Martial, Selected Epigrams. Her poems have appeared in Light, Lighten Up Online, Measure, Able Muse, and elsewhere. She lives in Iowa City, Iowa.
https://www.pw.org/content/susan_mclean

Photo: “Business Affairs” by edwicks_toybox is licensed under CC BY-NC 2.0.

Jerome Betts, ‘Grim Harvester’

Two walkers once, who left the path
With fleeting union in mind,
Were reaped – oh, tragic aftermath! –
And permanently here combined.

*****

Jerome Betts is the Featured Poet in the current issue of Light. I was glad to provide an introduction to the man and his poetry in that magazine’s Spotlight – the short poem I’ve quoted above is a personal favourite: it is a tight, well-structured play on the ‘grim reaper’ and the ‘combine harvester’.

He lives in Devon, England, where he edits the quarterly Lighten Up Online. Pushcart-nominated twice, his verse has appeared in a wide variety of UK publications and in anthologies such as Love Affairs At The Villa NelleLimerick Nation, The Potcake Chapbooks 1, 2 and 12, and Beth Houston’s three Extreme collections. British, European, and North American web venues include Amsterdam QuarterlyBetter Than StarbucksLightThe Asses of ParnassusThe HypertextsThe New Verse News, and  Snakeskin.

Photo: “Combine Harvester (Deutz-Faher TopLiner 4090 HTS) – at work at Moyvalley, Co. Kildare, Ireland. September 1st 2011” by Peter Mooney is licensed under CC BY-SA 2.0.

Short poem: ‘Thoughts Pop’

Thoughts pop in your head…
should you say them or not?
There’s a lot to be said
for not saying a lot.

*****

This little poem goes very nicely with another short one, ‘Rainbow‘. They were published together in Light this month.

thought” by freshphoto is licensed under CC BY 2.0.

Short poem: ‘Rainbow’

God made the rainbow as a sign
for post-Flood men to see.
The sign says, “I am Merciful–
and you better fucking agree.”

*****

According to the Book of Genesis, after God flooded the entire world He told the one surviving family: “I have set my rainbow in the clouds, and it will be the sign of the covenant between me and the earth. I will remember my covenant between me and you and all living creatures of every kind. Never again will the waters become a flood to destroy all life.”

There are so many things to love in all this: the Noah’s Ark story, and the toys of it that delight children; the beauty of rainbows themselves; the alternative explanation that Irish leprechauns make rainbows to mark where they bury their gold; the Biblical suggestion that water droplets didn’t cause refraction of light before the Flood; the calculation that rain, to have flooded Mount Everest in 40 days, must have fallen at 29 feet per hour for that entire time… and above all the idea that God needed the rainbow to remind Him not to kill everyone whenever He gets angry.

But hey – rainbows are beautiful, at least we can all agree on that.

This poem was published in the most recent issue of Light.

Noah’s Ark” by Svadilfari is licensed under CC BY-ND 2.0.

Poem: ‘Full Disclosure’

“The trouble with this growing old,” he said,
“You lose so much . . . and you get what instead?
If you can hang a bath towel on your tool
it’s wasted when you’re in an all-boys school.
Time was, I’d come — as you’d expect —
with just a look, a touch.
Now, not so much.
The only thing that gets me full erect
is feeling flesh firming from kiss and grasp;
so all my work is trying to make her gasp!
I need her climax if I’m to get sated.”
He looked at her. She looked at him. He waited.

*****

This semi-formal poem was published in the Lighthearted Verse subsection of Formal Poetry in that wonderfully rich and varied magazine, Better Than Starbucks. Where else could you find such a variety of areas of expression as BTS’ Regular Feature Pages?
Free Verse
Haiku
Formal Poetry
Poetry Translations
Poetry for Children
International Poetry
African Poetry
Experimental, Form, & Prose Poetry
Poetry Unplugged
Fiction
Flash Fiction & Micro Fiction
Better Than Fiction (creative nonfiction)
The Interview
Interviewee Poems
… and From The Mind of Alfred Corn

And tolerant enough to put up with my verse on occasion! Unfortunately they have announced they are going on hiatus… hopefully they will be back in 2023, as they have been a truly excellent outlet for all manner of poetry and prose.

Photo: “Mystery Man meets a friend” by mossimoinc is licensed under CC BY-ND 2.0.

Opposing Poems: Marcus Bales, ‘All the Blues’, ‘When the Sun Shines’

Since you left the sky’s expanse of grey
Is what the sun and clouds may briefly cruise
As light comes after dark for each dull day;
My lover leaving used up all the blues.

And since she left me I’ve been color-blind;
Now half the world’s in greys I cannot use
Since vivid red and yellow’s all I find:
My lover leaving used up all the blues.

My friends assure me better times will come,
But tinkly happy songs do not amuse
My soul still wants the searing wail and thrum
Of pain and sadness spreading like a bruise,
But now instead of tunes there’s just a hum —
My lover leaving used up all the blues.

Oh, since she left I don’t miss her at all
Though autumn leaves spread half a rainbow’s hues
Across a landscape ripening to fall:
My lover leaving used up all the blues.

*****

Marcus Bales writes: “Barbara Ehrenreich happened to read my poem ‘All the Blues’ on Facebook when I posted it some years back, and left the terse comment “It’s even worse when the sun shines.” I was at the moment so into the notion of the fall and the coming dark that I was startled by her insight, which prompted another poem, ‘When the Sun Shines’. I was gratified by her notice.

When The Sun Shines
for Barbara Ehrenreich

They sing their songs of their pure pain;
They lose their taste for the real wines
Of love and life when they weep rain.
It’s even worse when the sun shines.

When the sun shines
And the birds sing
And the green twines
On everything
And your love’s gone
And life’s a curse
In the dim dawn
Each poem’s lines
Are even worse
When the sun shines.

They write like they’ve known every hell
And mined despairing’s deepest mines;
But no one knew how far I fell.
It’s even worse when the sun shines.

Not much is known about Marcus Bales except that he lives and works in Cleveland, Ohio, and that his work has not been published in Poetry or The New Yorker. However his ’51 Poems’ is available from Amazon. He has been published in several of the Potcake Chapbooks (‘Form in Formless Times’).

Photo: “Shut out the world.” by Neil. Moralee is licensed under CC BY-NC-ND 2.0.

Odd poem: ‘The Naughty Preposition’ by Morris Bishop

I lately lost a preposition:
It hid, I thought, beneath my chair.
And angrily I cried: “Perdition!
Up from out of in under there!”

Correctness is my vade mecum,
And straggling phrases I abhor;
And yet I wondered: “What should he come
Up from out of in under for?”

*****

Morris Bishop had a high regard for light verse: “The aim of poetry, or Heavy Verse, is to seek understanding in forms of beauty. The aim of light verse is to promote misunderstanding in beauty’s cast-off clothes. But even misunderstanding is a kind of understanding; it is an analysis, an observation of truth, which sneaks around truth from the rear, which uncovers the lath and plaster of beauty’s hinder parts.”

Bishop was an acknowledged master of rhyme and meter, but that doesn’t imply that he would be limited by the grammatical restrictions of the apparently well-educated. He employed and enjoyed common speech.

Now this may sound strange coming from me, someone who writes a blog dedicated to the expansion of formal verse, but many “rules of grammar” are garbage. To me, correct speech is whatever unambiguously communicates what the speaker intended. This is naturally aided by the use of predictable patterns of word usage, because we are a pattern-recognition species, and this in turn leads to “rules”; but these rules are really only “commonly used patterns”.

Similarly the forms of traditional verse are there because they are useful: rhythm guides and builds emotion; rhyme, rhythm and wordplay all create engagement and help memorisation. The forms are neither arbitrary nor sacrosanct. The formality is purely useful (and part of its use is creating fun). Grammatical rules and formal verse have that in common.

Winston Churchill is often cited as the author of a scribbled comment on someone “correcting” his grammar: “This is the sort of nonsense up with which I will not put.” But that joke appears to predate his involvement with the issue: there is a lengthy discussion of it here in the Quote Investigator.

English has particularly confusing and contradictory rules because of the blending of several waves of Germanic speakers (Anglo-Saxons, followed by Danish invaders and later Dutch merchants) overrunning the British (i.e. Celtic speakers with their complicated auxiliary verbs: “How did you do that?”), in turn being overrun by French-speaking conquerors supported by Latin-speaking priests. (I recommend John McWhorter’s ‘Our Magnificent Bastard Tongue‘.) It was this latest ruling class that was averse to (among other things) ending a sentence with a preposition. But that’s a natural and correct part of speech for a Dane to end with.

And I’m an Anglo-Dane.

T-shirt Slogan: ‘Never use a preposition to end a sentence with.’” by Ken Whytock is licensed under CC BY-NC 2.0.