Tag Archives: chapbook

Review: ‘Ruth Pitter, Selected Poems’

An excellent selection of some of the better-known and some of the previously uncollected poems of one of the 20th century’s least known but most accomplished poets. Ruth Pitter‘s first book of poems was published with the help of Hilaire Belloc in 1920; her work was admired and praised by Yeats, Larkin, Skelton and Gunn; she was the first woman to win the Queen’s Gold Medal for Poetry in 1955, and was awarded a CBE in 1979. She died in 1992.

My personal favourite in this large chapbook from HappenStance is “Smoky Kettle, Stinging Nettle”, for its magical incantation of life and afterlife, of love and loss, of the countryside and all things human:

Smoky kettle,
Stinging nettle,
Lily my darling,
Toad and starling,
Fox in wood,
Solitude,
O be there, be there again,
When my end I shall attain,
When the knot is all unravelled,
And the tangled path is travelled.

But the poem is not typical of her work, and was not previously collected in a book. More commonly her style is like the beginning of ‘Spectrum’:

A little window, eastward, low, obscure,
A flask of water on the vestry press,
A ray of sunshine through a fretted door,
And myself kneeling in live quietness:

Heaven’s brightness was then gathered in the glass,

Her usual style is quiet, understated, with simple metre and rhyme scheme. Often there is a religious element–she was a friend of, and was influenced by, C.S. Lewis–and even an element of Anglican hymns. But none of that was enough to stop the militantly atheist Philip Larkin from including four of her poems in The Oxford Book of Twentieth Century English Verse. And I found enough of interest in this 44-page chapbook to warrant ordering a copy of her ‘Collected Poems’, to explore further.

Formal launch! Potcake Chapbooks 1 & 2

The first two chapbooks in Sampson Low’s Potcake series are up and running! Not only that, but they have already made it into the Official UK Chapbook Chart, with one of them at No.1 for two weeks in a row. And I was going to try to make it as easy as possible for you to buy a copy… they’re not expensive, about the cost of a fancy greeting card, and easily mailed as they weigh less than an ounce.

Hey Potcake, wanna buy a chapbook...

Hey Potcake! Wanna buy a chapbook?

However, the problem is that they are too inexpensive! It simply isn’t worth this blog paying all the fees to upgrade to business class in order to have a Paypal button, or to pay Amazon’s monthly fees or initiation fees or fulfilment fees or sales commissions or whatever else, in order to make them easily available in North America.

So we will treat this a formal launch… and you’ll just have to go to that Sampson Low website and put your order in there. Don’t worry, it’ll be mailed right away. Just be glad you’re not trying to do things through the Bahamas post office, where domestic mail takes 1-3 months, and international takes up to a year…

And with “Tourists and Cannibals” and “Rogues and Roses” up and running, the next two in the series are now in preparation. Expect “Careers and Other Catastrophes” and “Families and Other Fiascoes” in the beginning of the year, with many of the earlier poets reappearing but supplemented by many others joining us for the first time. And, of course, with Alban Low’s illustrations.

The series is joyful, lighthearted, and already popular!

Call for Submissions: Careers, Families

The next titles in the Potcake Chapbooks series are tentatively named “Careers and Other Catastrophes” and “Families and Other Fiascoes”. This is a call for submissions to them.

Potcake Chapbooks

Poems should be in formal verse, from 2 to 24 lines in length preferred but up to 50 lines possible, witty, vivid, elegant, and previously published.  Contributors receive five copies, and a discounted rate on additional purchases.

By submitting you acknowledge you are the sole author and give us the right to publish your poem; you retain copyright. Please identify the place of prior publication so that we can acknowledge it. Simultaneous submissions are fine. The chapbooks are scheduled for publication in January/February 2019.

Email in a doc file to robinhelweglarsen -at- gmail.com

 

Encouraging the Muse to visit

You may not be able to decide to write a poem, but there are a variety of things that you can do to increase the chance of being in a poem-writing state of mind.

Erato, Muse of Poetry, by Edward Poynter Toile

Erato, Muse of Poetry, by Sir Edward John Poynter 1870

The first, of course, is to read poetry. We are all influenced by what we are seeing and hearing. Our voices and accents shift towards those we’re talking with, the tunes we hum or whistle are influenced by what we’ve been listening to, and how we write is influenced by what we’ve been reading. Read poetry, especially rhymed and metered, and you’ll be more likely to find your unstructured thoughts expressing themselves in verse.

And that word “unstructured” is also one of the keys. Poetry can come from a chance phrase in your head, from a random rhyme opportunity that you run across that intrigues you for whatever reason, or from an unexpected image or similarity that carries an idea or a metaphor into your thoughts.

So the second thing you can do is, whenever some tiny fragment like this occurs to you, write it down! It is a gift to your conscious poetry-writing mind from your unconscious poetry-dreaming mind.

If it happens in a restaurant, write it down on anything you can take out. If it happens just when you’re going to sleep, sit up, get up, write it down. If it is only a phrase or an idea, write it down. If anything else occurs to you while writing, write it down too. If what you have seems structured, but some other unstructured thoughts are hovering around, write them down too. It doesn’t have to be perfect. You can always come back to it later. But if you don’t grab it when it appears, you are unlikely ever to find it again, or even to remember that there was ever anything there.

The third is to worship the Muse. Really? No, not really, but there’s no other simple way to describe it. There are forces in your subconscious of which you are unaware. They speak to you in dreams when something is really important. You have probably experienced the difference between what can be called “big dreams” and “little dreams”–messages from the unconscious mind, vs tidy-up-and-defrag dreams.

Somewhere inside your mind a creative engine is at work. You can ignore it, and then not only will you never write poetry, but you are likely to screw up your life. Or you can listen to it, let it sing to you, let it give you little gifts of wordplay or insight, and it will help you stay grounded in what is important. So writing down everything interesting that occurs to you out of the blue is a way of honouring that creative engine, that we can call your Muse. Be grateful to it. Accept that your unconscious may know things about you that you have no clue about, everything from how to keep your heart beating, to how to remember the name of someone from 20 years ago, to how to count time and wake you up at a certain time without an alarm clock. Poetry is the tiniest tip of the iceberg of all the unconscious mind can do. Honour it! And it will reward you.

You can find a guide to “Calling the Poem”–how to identify the poetic mood, how to encourage it, how to deal with it–in a chapbook of mine published by Snakeskin, and downloadable for free at http://www.snakeskinpoetry.co.uk/snake236.html

How to write the poem, when you’re in the right mood… More thoughts on that in the next post.

Our First Chapbook: “Tourists and Cannibals”

The first chapbook in the Potcake Chapbooks series–“Tourists and Cannibals – poems on travel”–is now out, and available through Sampson Low’s page. It features 11 well-known formal poets (“formal” in the sense of structured rhyme and metre/meter). Spellings wander between British and American, as the poets are writing from half a dozen countries. The variety of voices is part of the charm of the series, from the flippant to the wistful to the analytic, writing in a wide variety of forms.

01 Tourists and Cannibals cover

Alban Low’s drawings capture the right tone!

These chapbooks are made from a single large sheet of high quality bond paper printed both sides in colour, folded four times, cut and stapled. This gives a 16-page booklet, with enough space for a dozen poems and some illustrations by Alban Low. As you can see by the title and the front cover above, the chapbooks are lighthearted.

The poems can’t be too long in a format like this, and lightheartedness is well served by rhythm and rhyme. The chapbooks are designed to be the sort of enjoyable, witty, interruptable collection that serves well on a journey or as a little gift at the price of a fancy greeting card.

But of course their true, insidious intent is to help with the reinvigoration of traditional verse within popular culture. Will this work? We’ll just have to see.