Tag Archives: short poem

David Callin, ‘Sangliers’

It is not a forest, more a sun-
dappled woodland near the Pont du Gard,
the river fol-de-rolling merrily.
Here, where they’ve been told the wild things are,
a family, a mother and her young,
step through wild garlic till they come upon
a small ménage of wild boars, sangliers:
a mother and her young, a glade away.
Their shadows lengthened by the dappling sun,
each gives way to the other and trots on.

*****

David Callin writes: “There are no deep secrets about the poem. It’s a memory from a family holiday in 2006, and my wife’s description of the experience of this strange meeting on her return from it. It struck me strongly at the time, but I must have stored it away, because I didn’t try to turn it into a poem until nearly 20 years later. Then, as a non-metrical poem, it didn’t take, but I found it again when looking for inspiration for George’s excellent short poems Snakeskin (issue 339, May 2026). It seemed to blossom in its new form.

“This is unlike the bulk of my poems, most of which – but by no means all – arise out of the life, history and folklore of the Isle of Man, where I’ve lived all my life apart from a brief period in the 1980s when I made a bolt for freedom, first to London and then to the Netherlands. But the place has a way of reeling you back in.

“My first full book of poems, From the Nab, is essentially Manx in subject matter. There is a review of it in Light (whose editor, I see, also features in your blog). This is the link to that … https://lightpoetrymagazine.com/book-reviews-summer-25/

“If any of your readers should like a copy – and who wouldn’t, based on that review? – a simple email to me, with their postal address, would do the trick:  dcallin2bvc@gmail.com

“Other than that, I pop up in Snakeskin from time to time – as often as I can, really. And occasionally in other places.”

*****

The image features a wild boar (Sus scrofa) with its piglets, commonly known as humbugs due to their striped appearance. 

Tom Vaughan, ‘Stuff Happens’

Bad stuff happens.
Some survive
but it’s a risky business
being alive.

Good stuff happens
too – though don’t
count on it lasting
long. It won’t.

*****

Tom Vaughan writes: “Stuff Happens was of course part of a remark by US Secretary of Defense/Defence Donald Rumsfeld in 2003 in response to widespread looting in Baghdad following the US/US military ‘intervention’. Although I wrote the poem on the eve of the current war in the Middle East, it was intended as a more general comment on what a long-ago Roman called the nature of things, in personal as much as in global affairs.”

‘Stuff Happens’ was first published in Snakeskin.

Tom Vaughan is not the real name of a poet whose previous publications include a novel and three poetry pamphlets (A Sampler, 2010, and Envoy, 2013, both published by HappenStance; and Just a Minute, 2024, from Cyberwit). His poems have been published in a range of poetry magazines, including several of the Potcake Chapbooks and frequently in Snakeskin and Lighten Up Online. He currently lives in Brittany.
https://tomvaughan.website

Photo: “Stuff Happens” by Chris Piascik is licensed under CC BY-NC-ND 2.0.

Short poem: RHL, ‘Earth (and Mars)’

This planet is humanity’s place of birth,
but not the end of what we’re capable of –
we’ve just begun.
 
But don’t let Elon Musk take off from Earth:
he’ll nuke us if and when he gets pissed off…
or just for fun.

*****

‘Earth (and Mars)’ was first published in Rat’s Ass Review.

The trouble with space!” by Philip Ed is licensed under CC BY-NC 2.0.

Short poem: Daniel Brown, ‘So Large’

Big world when I was very young.
The shopping aisles a mile long …
Our lawn, though anything but wide,
Unfolding like the countryside …
The sky! So large and far away …
Exactly as it is today.

*****

Daniel Brown writes: “In his brilliant tome ‘The Poem’, Don Paterson says  “[I]f you ‘get a good idea for a poem’, I’d suggest you run a mile, as this generally isn’t the way poems make themselves known.” Advice worth attending to, though it’s also worth noting the little ‘out’ Paterson gives himself with that ‘generally’. I’m glad Robert Frost didn’t run from the powerfully suggestive idea–that “the people along the sand” are always looking out to sea, not back at the land–of his ‘Neither Out Far nor In Deep’; that W. S. Merwin didn’t run from the piercing premise–that “every year without knowing it” we pass the date of our death– of his ‘For the Anniversary of my Death’ . . . When the idea for “So Large” hit my hook, I felt like I had a big one on the line.”

“So Large” first appeared in The New Criterion under the title “A Giant.”

Daniel Brown’s poems have appeared in Poetry, Partisan Review, PN Review, Raritan, Parnassus, The New Criterion and other journals, as well as in a number of anthologies including Poetry 180 (ed. Billy Collins) and The Swallow Anthology of New American Poets (ed. David Yezzi). His work has been awarded a Pushcart prize, and his collection Taking the Occasion (Ivan R. Dee, 2008) won the New Criterion Poetry Prize. His latest collection is What More?  (Orchises Press, 2015). Brown’s criticism of poets and poetry has appeared in The Harvard Book Review, The New Criterion, PN Review, The Hopkins Review  and other journals, and the LSU Press has published his critical book, Subjects in Poetry. His Why Bach? and Bach, Beethoven, Bartok are audio-visual ebooks available at Amazon.com. His website is danielbrownpoet.com .

‘Odd Formations’, England, The Peak District, Kinder Scout Hilltop” by WanderingtheWorld (www.ChrisFord.com) is licensed under CC BY-NC 2.0.

Short poem: RHL, ‘Clearing the Cache’

At night we dream to clean our memory,
discard trash from our cache.
Reincarnating after death would be the same;
the past, scraped by death’s emery,
unknown in the new game,
cleansed of our memories, but with a stash
of added skills…
and karma’s unpaid bills.

*****

No, I don’t believe in reincarnation. I don’t believe in anything, or in nothing; I’m an absolute agnostic. “I think therefore I am” is as far as you can go with any certainty – even “who or what I am” is ultimately unknown.

‘Clearing the Cache’ was published in Bewildering Stories. Thanks, Don Webb (if you exist, of course…)

Glitch 183” by mikrosopht [deleted] is licensed under CC BY 2.0.

Short poem: Robin Helweg-Larsen, ‘Moving On’

“How old are you?” she asked. “Too old,” I said;
“sadly, my youth is gone.”
She looked like wanting to move on, though wed;
I had no wish to be the one moved on.

*****

Published yesterday in The Asses of Parnassus – thanks, Brooke Clark!

how dark how cold” by Stuti ~ is licensed under CC BY 2.0.

Short poem: Michael R. Burch, ‘Not Elves, Exactly’

Something there is that likes a wall,
that likes it spiked and likes it tall,

that likes its pikes’ sharp rows of teeth
and doesn’t mind its victims’ grief

(wherever they come from, far or wide)
as long as they fall on the other side.

*****

Michael R. Burch comments: “I wrote ‘Not Elves, Exactly‘ thinking of Trump’s border wall and Robert Frost’s mischievous elves in ‘Mending Wall‘.”

The poem was first published in Snakeskin.

Michael R. Burch’s poems have been published by hundreds of literary journals, taught in high schools and colleges, translated into 23 languages, incorporated into three plays and four operas, and set to music, from swamp blues to classical, 78 times by 35 composers. He is also the founder and editor-in-chief of The HyperTexts.

Photo: “Spiked wall, Lewes” by ♔ Georgie R is licensed under CC BY-ND 2.0.

Semi-formal: RHL, ‘Kinship’

I feel a kinship with those, never met,
who live, uncertain and displaced
in the wrong place on planet earth and sea:
with different languages at home and school,
without a passport from the place they’re raised,
their natural faith despoiled by pointless war,
their sex uncertain, orphaned from themselves,
poets of restlessness, pilots adrift,
obscure, uncertain in their rootlessness,
chameleons of constant camouflage,
and all the little that they know deep down
forever hidden from some foreign frown.

*****

My sense of being displaced is largely one of nationality: in every country I’ve lived in, I feel the closest connection to other expats; and there is no country in which I don’t feel like an expat myself. But that also gives me a sense of commonality with all others in all forms of insecurity and displacement. And maybe it is a natural part of being human… after all, all adults have been displaced from the very different world of childhood.

‘Kinship’ was originally published in the current Shot Glass Journal.

Stand out, don’t blend in!” by partymonstrrrr is licensed under CC BY-NC-ND 2.0.

RHL, ‘The Beat Goes On’

A pounding beat to drug, enhance, enfold –
iambics are the dance floor of the old.

*****

Published in The Asses of Parnassus, home of “short, witty, formal poems”. Thanks, Brooke Clark!

Illustration: ‘Iambics’ by RHL and ChatGPT

Odd poem: Barack Obama, ‘Underground’

Under water grottos, caverns
Filled with apes
That eat figs.
Stepping on the figs
That the apes
Eat, they crunch.
The apes howl, bare
Their fangs, dance,
Tumble in the
Rushing water,
Musty, wet pelts
Glistening in the blue.

*****

A 1981 poem by future President of the United States Barack Obama, originally published in the journal Feast and featured in The New Yorker in 2007. You can forgive a 19- or 20-year-old for a lot of what they wrote… and after all, it’s better than anything we’ve seen from Donald Trump.